After a long time, I couldn't calm down, and it seemed that there was still snow in front of me, pure and beautiful, but the real life was unbearable to look back. . . As soon as it stopped, the tears congealed in the air like blood, turning into insignificant dust. . . fade away. . .
What I felt most deeply was the scene on Mt. Nara, piles of bones, black crows in groups of three or five, and two living people. A Lingpo who is about to become a bone and a filial eldest son. . . What is the saddest thing about human nature? . . I have to say that Imamura Shohei's unique technique, many small details in the film are just right to use contrast to set off, nature shows its vigorous vitality with endless reproduction, compared with the difficult living environment of people. , without love, all actions are just animalistic manifestations, sexual desire, survival. . . The funniest and saddest thing is to hear the middle part of the dialogue about sex, using the word "play", and another grandma said that it still works. . A woman's body is only a tool for work, survival and sex, and any other emotion is extremely extravagant in such a survival situation, not to mention feelings.
I always feel that this movie is too painful, and it weighs heavily on the heart. I can't describe it in too many words, but I can't forget those pictures, those words, and those real pasts. . .
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