I came back and found that many people have already seen it. Everyone can't bear the bad movie of the year, and they are eager to invest in a movie that everyone likes to see for a change. Objectively speaking, October Siege really has a very good schedule. Everyone I see on the scarf has locked the October siege. It is really the rebirth of the 10-year New Year's film.
It's like when you face a pile of nuts and eat three pistachios that seem to be shiny and full, the results are all bad, you can't tell if there is bitterness; you can only change your mouth to eat melon seeds, but the more you eat, the more delicious The melon seeds are all over the place, is the fragrance still unfinished?
At the end of the year when the blockbusters are rampant, the fighting is fierce, and there are no generals who always win. The star-studded vote the year before last came up with the "main melody" of a junior, and he never spelled out a big-name assembly number; Chibi Er came back with a reputation, but also won't have an upgraded version of the junior who is known for defeating Feng's humor; this year's three shots Since the shooting of the gun, there has been a lot of word-of-mouth and scolding everywhere. The glorious days of writing film reviews by the whole people finally broke out at this moment. This inertia will naturally continue to the October siege.
I think a good movie has to be a good story, have some good plots, have the right baggage, and sell the right laughs. In two hours, there are joys and sorrows, step by step, neither humble nor arrogant to earn the audience's tears and laughter, this is a good movie.
I watched Mulan and shed tears for Mulan, but compared to October Siege, it's not a good movie. Its plot is too simple, there are no ups and downs, and the only burden is instantly seen by the audience; its lines are shocking, but not unattractive, I am a fan of Bonnie, but it always feels out of place and too modern; its story is too shallow and has no depth There is also no breadth, and it is completely bluntly provoked to delay time, which makes people feel annoyed - the two next to me have been discussing the details of shopping aloud, but I have been attracted to them, and I missed the so-called big scene, which is boring and visible. generally.
In short, it doesn't have good measure.
The October siege took good measure. The clues are extremely clear, and the appearances of several protagonists are not blunt and do not overlap (except Li Jiaxin is a phantom); Xiaolang and Dalang take turns to play, and there are scenes, dialogues, emotions, and conflicts. There is no repetition, no procrastination, the point is to stop, the knife starts to fall. For more than two hours, even the blank space was touching - the doll on the ground, Ah Chun in the photo studio.
There are a lot of highlights that I like. Donnie Yen's fighting scene is very manly, and the martial arts design is light and intelligent; the embarrassing dialogue between Li Yuchun and Bartell has a sense of humor of Mars hitting the earth; Wang Xueqi's love for his son - this is a very aura The actor is touching; there is also the phrase "he is the father of your child".
How many people in Hong Kong at that time knew Sun Wen, and how many of the sacrificed people understood the meaning of democracy? Most of them are just for their own kindness, loyalty, family affection, and love. They walk on the cramped roads of Hong Kong and persistently do something with a clear conscience. Forgive me for not being that deep. But I love these little people, the beggars who pull carts and beggars. They don't have much ambition, not much wisdom, and not many books, but they express the most simple brilliance of human nature.
This is the hymn of the little people in a big era.
It was like the sound of the bell every time Ah Si passed by the photo studio. Enough to cherish a lifetime.
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