what's wrong

Raquel 2022-04-22 07:01:50

It's right to compare ours with others, we don't close the country. But comparing our sore spots with other people's stings and then turning around and hitting our weak spots to the death, I really don't see any merit.

The integrity of the American film industry lies in the fact that each studio has clear rules for investment and film genres. Our films are just an exchange market and can’t be called an industry. Naturally, we don’t have so much concern and talent for the division of genre films.

As a result, martial arts blockbusters with Chinese characteristics were produced in batches. After failing to satisfy the people's increasing appetite, martial arts began to turn to the drama market, and sometimes adventures. I don't watch horror, but now even pure horror is just Little Japanese and Korean privileges too.

Some colleagues criticized the structure of the story of [Jin Yiwei] itself, and it made people speechless when it came off, and in the end, a thief also made people even more angry, nondescript and nondescript.

All I see is the progress and merits of Chinese cinema.

The screenwriter of a theme
is also very keen. Now the whole people are in the Ming Dynasty, and the public finally asked the Qing Dynasty to be bewitched because of [things in the Ming Dynasty]. Dongchang and Jinyiwei must be the hottest topics of Ming culture. What three divisions and six Shangbu can't compare to this mysterious, bloody and legendary institution. The screenwriter began to grasp people's curiosity about the history of the Ming Dynasty, and made a lot of efforts in the history of the Ming Dynasty. [Jin Yiwei] took the lead in attacking, with a high degree of sensitivity, and conformed to the requirements of cultural communication, good.

two narratives
The movie began to use the Hollywood classical narrative way to narrate, that is, there is a hero that is implemented throughout the whole chapter. Of course, the structure that should have only one villain has been upgraded to two, and the helper has also been upgraded to two gangs, which greatly enriches the whole story. The breadth of the story. But on the whole, it is very in line with the development sequence of "encountering difficulties, solving difficulties". Although hero's final death is not a happy ending, it is thrown to a perfect medium shot called hope, dedicated to the audience. . Our story is still tortuous and complex, with instructive significance and is not understood by Westerners, but the clues and development are generally acceptable. Narrative is a very critical place, which determines what genre this film should belong to, and the individual characters in this film. The setting is a bit naive, and some individual links are very difficult to scrutinize, but the main line of the story is a good

three actors
. I remember that the theory of analyzing movies in foreign literature is nothing more than film language to national culture and the like, film language includes all technologies. In addition to living, there is this character performance. Zhao Wei is my favorite (although [Hua Mulan] is evil) her performance in [Jin Yi Wei] can be regarded as remarkable, and her dress is also considered to be beautiful and removes more than half of the middle-aged temperament. Donnie Yen is what I am. Not to mention, Brother Cheng's wrinkled and desperate [Spy next door] is still a second-tier movie in the United States, Jet Li is also fully armed to engage in business and does not touch kung fu, Donnie Yen has waited so many years to cut his double eyelids It is also a well-deserved silver screen kung fu hero. The chemistry between them moved me a little. The movie just used a few episodes to show the process of their falling in love. They went to the toilet, slept outside and had a meal, and then the two fell in love. If it were two bad actors with no chemistry, the whole movie would be paralyzed immediately. But Donnie Yen's domineering towards Zhao Wei and Zhao Wei's lingering eyes towards Donnie Yen proves that these two people are in love with each other. Nothing to say, just love. Wu Zun's appearance made a lot of people feel that it was pure nonsense, but it's okay, someone with a muscle and creamy boy can't act at all, so it's not like there is a leader of the Tianying Gang. Fan? Actor, very ok!

Four rhythms
This is the place I want to praise and praise the most. The rhythm of the whole movie is very, very well controlled after removing the flaws in the plot. A few minutes of Jin Yiwei's introduction in the opening film caught the eye, and then a few minutes of fighting in the Shura field showed the real brutality. The background headlights and the dark effect of the chasing light were supplemented, and the darkness of this organization was basically 60%. To send Qinglong on the road, first the little gangsters revealed Qinglong's identity, then a group of big gangsters broke the whole escort plan, of course, then the sweet journey of the two people, and finally merged in a desert that the screenwriter made up to give the public a sense of freshness. The city launched a final round. The rhythm was well controlled, the love was well expressed, and all the changes were made. There was no criticism or delay. The rhythm is fatal to the success of a movie, and even to a certain extent, it is more a direction than the hardware technology to advertise the movie. I secretly think that the rhythm of [Jin Yiwei] is well controlled. For a progressive movie, the director is thinking and learning. movie of. Finally, let's replay the prospect again, and all of a sudden let people understand that each Jinyiwei in Jinyiwei is different, some are impulsive, some are greedy for power and money, some seek benevolence and wisdom, and some obliterate conscience. Just like the social structure, there are all kinds of people in a unit, those who are in the same class sympathize with each other, and those who are different are decided.

Five Shots
I don't want to repeat the long-winded praise, the shots of this film are something I admire a lot. The difference between movies and TV is that one is the control of time, and the other is that TV does not dare to use so many close-up shots like movies, and even if they are used, they will not appear on the big screen. The editing of [Jin Yiwei] is not fancy, it is quite satisfactory, according to the tradition of the older generation, the character's expression is given a close-up immediately, and a relationship introduction is needed. The long shot appeared immediately, and the medium shot and the long shot in the fighting scene began to wear different clothes. It's good to use. Even the depth of field in each shot when showing the plot is like a well-calculated dessert, and it doesn't make people tired. I like this kind of movie, just like I also like [Royal Tattoo] , not for anything else, but for the inextinguishable obsession with camera perfection in such a sincere movie.

Six technologies
The operation of 3D technology is also covered in the lens, because I admit with a guilty conscience, I am very excited to carry the machine. If there is a 3D production CJ software, I will immediately be dumbfounded. This era is an era of competition of knowledge and technology, and the same is true of the film industry. . Well, since technology is so important, I'll separate it out. It is not easy for a Chinese film to launch a work with a strong CJ technical index. We must take good care of it and protect it, and don't put out the small flame we just had with a single fire. Isn't it cool to see that brown box open? Isn't it shocking to see the entire fictional city overlooking the camera? There are always people who wonder how a few horses can get past a row of musketeers. We won't let go of small things. We are deeply responsible for love, but praise for other places that deserve praise. How can it be?

This is a good movie. Although I don't like the director named Li Rengang, it is still a good movie. It is a first-line movie that covers technology, has a lens and is full of stars. It deserves to be recorded in the annals of movie history.

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