with women first The protagonist puts the rivers and lakes into the market, asks martial arts to describe love, and uses weapons to match the characters. This is Hu Jinquan, plus the villain painting accompanying the title, so it can be guessed that Director Su is a martial arts fan. Of course, there is another sentence that says, no matter how people make martial arts films later, they will take Hu Jinquan to make a whole appearance and then come out - but it is subtly in line with this film. Naturally, the end of this sentence is before the new martial arts world created by Tsui Hark, and after Ang Lee, he came back with the name of John Woo. Don't the two directors admit that there is JQ between you?
Hu Jinquan's use of martial arts to teach the Zen machine is a major feature. Love is also Zen, and those who become monks have to break through this Zen to be considered enlightened. This film is generally romantic, but the big villain is called "The Wheel King". Once in a lifetime, the men and women in this film are all self-loathing, and what they want is to "become another person", that is, to kill the past self and live again . And this turn is inseparable from the "bridge" - the medium that connects the two worlds.
Ordinary people's feelings are mostly like the wheel-turning king, who hides their lovers because they like them, so that they can "see them often". There is also a feeling that says, "I would like to turn into a stone bridge, and be blown by the wind for five hundred years, in the sun for five hundred years, and in the rain for five hundred years, but I ask this girl to walk on the bridge." I have heard it before. I have never dared to put it into any kind of love letter, because I feel that it is more like a curse than a confession. I have romanticized all the curses of confession in the world. Now I finally know that this is what the Buddha said before he became a monk.
The love is so extreme, it seems like this, the heart and soul have been turned into dust. "Then he treats you well." Lu Zhu (Lu Zhu, Lu Zhu, is this a tribute to Hu Zhao?) is really good to Drizzle, too good, and when it comes to the end, there is no possibility of continuing. So he traded his present life for her next life, and let this female killer named Drizzle be reincarnated as Zeng Jing (because Mao chose to call her "Zeng Jing" - did you just use the homonym "Zeng"? In the end, I was not used to listening to) such an ordinary woman, living an ordinary life and finding someone who was ordinary to her. Life is not necessarily happy, and death is not necessarily painful.
That sword really stabbed a puddle of blood, but it still squeezed a tear out of me. Who makes my sister also a martial arts fan?
Drizzle is not so good to Lu Zhu-although the name matches it well-Lu Zhu is not her Zen machine, Jiang Asheng is. The relationship between these three people is like a runner, one fell off the bridge and the other came from the bridge, one died to save the woman to put down the sword, and the other asked her to lift the sword - but it was raised so that the last two people could put it down. "The future has become the present, the present has become the past, let's go as you like, see, can you get it?" The
idea is interesting, the story itself is very interesting, and the characters are very interesting, especially the magic stick played by Dai Liren (the weapon of Yi Envoy is also the most interesting ). But it's rather vague.
First of all, a few freeze-frames in the opening film are very scary, which makes people have a bad premonition about the director's aesthetics. Later, it was true that there was no Chinese aesthetic style (there is no need to move Senior Hu, Li An's Jiangnan Water Village is a good comparison), which is a pity, after all, this story is set in the market, if It should be very interesting to be able to shoot some folk customs similar to "Across the River at Qingming Festival" - of course, this requires a lot of research work, and no current director is willing to do it.
In contrast, the action design is quite elegant, especially in recent years, basically those who have knives and swords have not fought well on the screen. It is the work of a soy sauce gentleman. In contrast, there are all kinds of guys here, which makes it clear, although there are no bamboo forests, seasides, boats, etc., there are interesting and interesting backgrounds to adjust the atmosphere, and a few actors except Michelle Yeoh In addition, almost all of them have no skills and can only squeeze a flower stand, but that kind of Hu-style beauty still has three points. Looking good.
After the rules and regulations became Zeng Jing, Drizzle began to divide into two lines.
For a long time, the two lines were not in line, the plot and rhythm could not be linked together, and they couldn't fit together no matter how they were put together. I feel that Zeng Jing's love scene here is too procrastinate (especially the blind date scene is purely for the sake of Jokes that liven up the atmosphere are not necessary), and the training of the newcomer of the runner king over there is not very clear, and it is a pity that a few such interesting characters under his team have not had the opportunity to show their character well. If these two lines are simply disassembled, it may be possible to adjust the rhythm of tightness --> looseness --> tightness, and they will not benefit from mixing them together.
As the biggest burden of the show, Zhang Renfeng finally shakes off a big doubt: no matter how I count it, it should be the ghost hand he found first. Could it be that the most gossip plastic surgeon in the arena actually did his due diligence until he encountered a drizzle three months later, and after curing her, he stalked her again until she was sure of her seclusion place, and then found Zhang Renfeng and told him - this The doctor's life is too leisurely, what's the matter? Moreover, from the grandma's words, it seems that Zeng Jing and Zhang Renfeng are almost familiar with each other. Let's count the time when the doctor ran gossip and the time when Zhang Renfeng followed... This is really unreasonable in terms of the plot - since it is The burden must be shaken clean.
As for the actors, I don't have a problem with Michelle Yeoh, but "Crouching Tiger, Hidden Dragon" has been around for almost ten years, and it's true that in the original book, Li Mubai and Yu Xiulian are no longer a teenager, but in this film she's already that old In ancient times, isn't it a little scary to say that she is a big girl with a yellow flower? I said, the neighbors in the neighborhood are so eager to find a partner for her, it is a miracle that she is so popular... Also consider the audience's psychological capacity, Lin Xilei Although it is reasonable to say that it is too old, but at least it will not look awkward. People just called Ghost Hand "change a normal face", and didn't say "give me another ten years old".
When Da S first appeared on the stage, he was really beautiful. He was wearing red clothes, and there was blood on his face. That feeling was right all of a sudden, and it hit the liver. Later, I made two pieces of flowing sea and wore cloth clothes, which looked quite tender. It's the acting that's really bad. This sister ms directly equates "the amount of exposed flesh" with "the degree of breakthrough". In fact, this is not the problem at all, sister, look at the embarrassed expression on your face in the two scenes where you seduced the runner king and Jiang Asheng. Every time you encounter a show with exposed meat, it becomes more and more embarrassing. Why is this necessary. Sister, you should act less in idol dramas. Before filming, you should not toss the germs and viruses on your face. When you enter the role, pay less attention to your image. Let the crazy little rabbit that is locked in your heart be released and bite. It will be fine. . There is absolutely no need to show meat or anything, and the audience may not want to see it, really. I'm also very worried about you, sister.
Seeing the big S sister and the uncle Wang fight, someone who is the uncle lolicon expresses surprise but is completely displeased. Wang Xueqi was really an uncle that I was very optimistic about, but this time it was "too much". If Uncle Wang is free, he can go and watch Li Liqun in the TV series "New Dragon Inn". I think it's better to ask him to play than you. But is it really good? From a certain point of view, you are completely "expressive" acting... You are a big boss who makes people feel funny and pitiful. You are not pursuing this effect, I say.
It's good that Dai Li forbears other things, but the lines follow the line of a stage play, which is too obvious.
The best actor in this film turned out to be Zheng Yusheng... Speaking of which, I really want to find a brick and smash half of it on my head and half on the director's head.
View more about Reign of Assassins reviews
