The act of watching a movie itself is a desire, and great film directors are playing with a psychology: what do you want to see from the movie, what do you see, what desire is provoked, and what is satisfied.
Blind is playing an old show that still holds a pipa half-covered - it is in the gap between seeing and not seeing that human desires will stir up thousands of waves again and again.
Many years ago, a man named Hitchcock made a movie called Rear Window, and then another man named Kubrick made a movie called Eyes Wide Shut.
We might as well put blindsight in this movie-watching pedigree. The directors all play with the medium form of film. Through the play of form, the philosophical propositions of the film that can be seen and cannot be seen, desire and lack, and the old motif of the disillusionment of the middle-class marriage and love myths in the developed western society, are discussed again. again.
It doesn't matter what the audience sees. It's the audience's desire for a complete narrative that they haven't seen that's the whole point.
Who is this blind woman's husband? Did he cheat? Does the object of his cheating have anything to do with the peeping man? Who in the end desires who? Did Mr. come back to peep at her?
The power of the movie is here. It does not satisfy your desire to watch a movie with a complete narrative. Because it is not satisfied, it makes people linger, and because it is incomplete, it makes people think over and over again.
Just like the omnipresent narration of women in the movie, God generally analyzes and analyzes the world's sophistication in blood and blood. Desire is like a never-ending erotic short film in the Internet age, and the insatiable nature appears in various forms of infinite perversion. Or like a boring TV show, even if you can't see the content, you can hear the sound and know what will happen next.
The most exciting unseen. Blind, the eyes of the mind are actually active, imagining the possibility of all kinds of lustful desires: cheating, voyeurism, pornographic videos, and finally a big sex party for all men and women.
The director takes the scene to the extreme with absurdity, the composition has the geometric symmetry Tati is good at, and the extreme is a distorted sense of humor. The woman peeping, her desire to be seen and to be seen is reminiscent of Almodovar's flirting camera technique, and between the characters going out of the real and the real, the human relationship is erratic due to the changes of the real and the real, and it is very similar to the British dramatist Harold Pinter who is good at playing tricks The boring middle-class couple's sex crisis drama.
Too many traces but still a bit new.
At least Scandinavian-inspired furniture and upholstery can be used as a backdrop for this old-fashioned drama. The shot of the blind girl sitting by the window where the light and shadow flow is very modern, clean and dust-free, so accurate and sharp that it is so lonely that she has to be clean and stick to the floor-to-ceiling glass window to have a sense of existence.
Speaking of lust is always inseparable from the existence of modern loneliness.
The end of the film is again a nod to this motif.
After all, the love between men and women is the lust for each other that you love and I want? If I can't see it, how should I continue? In the process of lusting for each other, how much is your love and my wish? How much is self-deception?
Through the eyes of a blind woman's soul, did the audience see clearly the secrets of this popular drama about love between men and women?
View more about Blind reviews
