It's not good or bad, the advantages and disadvantages are obvious. The interlacing of the spiritual world (conscious world) and the real world makes it difficult for you to tell whether the heroine is really blind or not. The way she feels the world is so unique, as if with her intuition or sixth sense, she can see everything around her better than the average person with good eyesight. I think this is probably the ability that every ordinary audience who is confused about "knowing people, knowing faces, but not hearts" also wants to acquire them from the heart? Behind this story, what is discussed is a story of emotional dissatisfaction and dissatisfaction with desire - although the eyes see No, but the heroine is not inferior to ordinary people in terms of desire. She is no less suspicious of the men around her than ordinary women. She will doubt that the ceiling height of the new house is actually not as high as her boyfriend told her, and she will doubt her boyfriend typing. It's flirting with netizens (I think it's all from her imagination)... It is these unseen but unsettling troubles that make her fall into a huge loneliness and trance. The appearance of the characters in the movie is generally true, but I think the director chose these actors because he took a fancy to the appearance of their passers-by, A, B, C, Ding, to set off the theme of the story that "in fact, this suspicion exists among each of us ordinary people". ?
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