Someone next to him had been very calm, but then he suddenly lowered his head and said, "I can't even complain..." and said : "Go back and write movie reviews, and spit out my share."
Yes, I've been looking forward to the return of Old Monster Xu again and again, but I've been disappointed again and again. It's inevitable that I'll be disheartened. So start ranting. . .
Let's talk about settings first. The biggest regret of this film is that it has a good setting with unlimited potential, but it does not tell a good story. At the beginning, most of the characters are full and interesting, but once the plot unfolds but only stops there, the audience's emotions are brewed, and it hurriedly changes the scene, making people feel mindless, and can't help but ask: "Just So... it's over?" As in the second half, those characters all scrambled to die in various poses one by one.
Jet Li's character doesn't want to say anything. I don't know when it started. I don't think his face has changed. No matter which movie I see, I feel that he went to the wrong set. This time I really want to ask him: "Why didn't your apprentice bring it?"
Brother Xun painted Bao Gong's face, holding a flute and playing a sad tune. Mo Yan's demeanor is not even half enchanting like gold inlaid with jade. So, let's honestly accept the role of Ling Yanqiu, a role that people can't love at all. Can someone really accept the relationship between her and Jet Li of "being close to each other, it is better to forget each other in the rivers and lakes"? In the end, it's just going through the motions for the sake of going through the motions.
Fan Xiaoxuan is probably the only female character in the whole film whose gender does not need to be questioned. Her style always reminds me of Yang Caini, who was in the east and west, which is indeed a bit shocking. However, she, who has always been weak, suddenly changed her body and sneered a few times in the second half: "None of you are my opponents!" Isn't she a bit clueless? Of course, these are not the point, the point is - what role did this spy play in the film?
Is Tsui Hark a feminist? I don't want to get into this for now, but he's definitely a lily man! Come, look at the CPs in his play: Dongfang Invincible & Xue Qianxun, Jin Xiangyu & Qiu Moyan; Bai Suzhen & Xiaoqing...
Well, there are also Su Huirong and Ling Yanqiu in this film!
When Brother Chun, dressed in white fluttering and valiant, walked in, I thought it was him that Gui Lunmei was looking for. Who knows that her setting is really a woman! woman! A woman with a love scene! Well, it took me a while to accept this fact. However, Brother Chun is very suitable for shooting martial arts, and he has a strong energy when he moves.
As a big BOSS, Chen Kun still has a lot of scenes, and his performance is remarkable. He basically took on all the important tasks that touch the laughing points, and finally completed the demonization transformation that Tsui Hark must have in the film. Well, the factory The male figure is really beautiful. Of course, there is always a lot of regrets about the undeveloped plot. For example, the scene of "Longmen Flying Armor, you can tell the truth from the false" came to an end without knowing it. I was full of expectations for "Mission Impossible" and had to sigh in disappointment. (And...is it really okay to play the password like this?)
Feng Lidao said that he was going to be an official in the capital, and I instantly felt that there must be a drama behind it, and it must be a good show. This film always makes people feel that
what is the significance of the plot of the imperial concubine's sudden death? Does the master just want to use 3D to show off the beauty of the imperial city? I always thought that only real estate promotional films could do this, but it turns out that movies are not exempt.
When looking at the poster, I felt that Gui Lunmei's shape was too shocking, a bit like Xu Zishan in Jinyiwei. It can be put into the play, but there is no criticism. After taking off her small and fresh coat, you can still see a bit of the cuteness of the Tatar woman.
No matter where the beautiful woman is, or mourning again that this era has no youthful beauty. In Tsui Hark's films today, it seems that characters with real soul and feelings are hard to find.
The fight in the desert outside the Dragon Gate Inn that year, without the help of dazzling and realistic 3D, can be gripping the hearts of the people. In the movie, people live and die together, not like we do today: wearing glasses in the cinema is like being there, but still can only sigh the visual shock as a bystander.
After watching the film, I always feel that Tsui Hark is playing with tickets again, just like playing the new Shushan with special effects back then. Obsessed with special effects, he naturally couldn't give up the new gameplay brought about by technological innovation, so he tried 3D at a moment's itch. The visual effects are naturally unambiguous, and there are so many martial arts designs and 3D effects in the scene. The old urchin loves to play as always, and will play even more.
I want to ask kindly: "Master, are you having a good time this time?"
A Chinese Ghost Story can go back and forth to "DaoDaoDao", and when Xiaoao Jianghu can play a trilogy, who can guarantee that there will be no Longmen Feijiao after Longmen Feijia? After sixty years, the black wind will rise again, or after three years, Brother Chun will play the flute and show up in the arena? Of course, it depends on whether the master wants to continue playing, or how to play.
However, what I am more concerned about is: when will I calm down and tell a story? After all, there are still many people who are thinking about the
undefeated East , the gold inlaid jade, the dirty strength in "The Knife", and the impassioned laughter of that song.
That's your river and lake, the river and lake of Old Monster Xu.
__________________________________________________
After writing it, show it to someone, and then continue to complain seriously - -
Midsummer 1:41:24 I
always feel that I have missed something. . I ca n't remember the
code 1:42:17 for a while, and
I feel like I haven't written anything.
Are they the ones who can't bear to vomit?
Midsummer 1:42:39
What!
Must vomit!
The secret code 1:43:06
is not. I always feel that I want to let it go, but I can't think of it myself.
Midsummer 1:43:17
Actually, we still love him. . .
Code 1:43:24
Yes, that's what I mean
...
I was expecting Tsui Hark and Jet Li to inject new life into each other, but I was so disappointed!
Midsummer 1:45:44
What else is there to vomit?
1:45:53 I
sink my heart and think about being unhappy all of a sudden... After how many years, they always feel powerless when they work together again.
Midsummer 1:46:09
Well!
Think Wong Fei Hung!
The secret code 1:46:32 The
bow and sword are too bad. If the archer's posture is not correct, these technical slots will not spit. The sword is
too bad, but Brother Chun's darts are fun . The one with the hook is so delicate~ The code 1:48:06 is completely different from those swords... Midsummer 1:48:19 The stainless steel code 1:48:37 is stainless steel... Midsummer 1: 48:58 But I'm very happy that I didn't see the stainless steel frosted bottle and the Yiwu helmet -- code 1:49:12 Yes = = (Li Rengang, you've been shot again!)
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