Just write and write (if you don't like it, don't spray it)

Kenton 2022-04-23 07:04:20

Movie content: Ashin is a Jurchen father and tribe in North Korea who was killed because North Korean local officials framed Jiedushi's (Haiyuan Zhao's) sneak attack on Pozhuwei. Ashin grew up gradually, and finally used the grass of life and death to retaliate against Chupo Town, resurrected the tribesmen, recommended the grass of life and death to Dr.

The relationship between the film and the rest of the Kingdom series: It is the basis of the previous seasons, introducing the origin of the grass of life and death, the origin of the grass of life and death in the hands of Lee Seung-hee, etc.

Values ​​the film wants to reflect:

There are basically no plots of people testing their humanity after the outbreak of zombies in this film, and it mainly reflects the pain caused by the struggle for power at the top to the people at the bottom. Jiedushi wanted to kill people, and the local official made the Lord (a loyal local official) to sacrifice the Jurchen who ended up in North Korea for the sake of peace. The female protagonist is indeed the victim.

The unreasonable part of the film: some of the author's own thoughts. 1. How to deal with people bitten to death by tigers, unburnt may lead to corpse transformation; 2. Ashin suffered a catastrophe, but whether the indiscriminate slaughter is too radical 3. The protagonist's halo is too obvious, the night of the catastrophe is released It's a bit outrageous to wander around in the city; 4. After Chupo Town was massacred, North Korea and Pozhu Weifang didn't notice it (was burned down by Ashin's fire?)

Video advantages:

1. The contrast between the beautiful home in the last dream and the zombie tribe is very shocking;

2. The turning point about why the Jurchen tribe was destroyed;

3. The description of people's pain is very real, which can make people feel the pain of Ashin. (Father's tragic experience)

View more about Kingdom: Ashin of the North reviews

Extended Reading
  • Heloise 2022-03-15 09:01:10

    Seeing a long criticizing South Korea, rising to insulting Korean movies, I just want to say that South Korea has indeed done a lot of things that are detrimental to our motherland, but any high-quality film and television work is innocent. Wang Guo was invested by Netflix and was filmed by a Korean. Both seasons are very beautiful. It is a metaphor for the dark and decadent reality of the Korean government. It uses a popular zombie theme to wrap realist works. I don't know why it has risen to the national level. South Korea’s stealing behavior is extremely shameless and it is not self-confidence in its own culture. What we can do is to resolutely resist this behavior and defend our own culture. Moreover, the country’s restriction on Korea is to prevent everyone from admiring Korean culture too much and neglecting our own culture. We only need to stick to our bottom line. What can be maintained by those domestically produced productions that plagiarize and use vulgar bridges? Korean film and television can face the darkness of their own motherland and present them with wonderful means; this is the reason why audiences have always paid for it! As long as we can not lose our roots and promote it, we can absorb the good aspects of other countries. But if it is too extreme, it is unnecessary for duck.

  • Lizzie 2022-03-18 09:01:08

    In the 90-minute movie, Jun Ji-hyun only appeared in the 50th minute, and zombies began to appear in about 65 minutes. So the problem also arises here, the rhythm is too problematic, the front is too much foreshadowing, it is very boring to watch, and the back is to quickly take the plot away. But the ending paragraph is still pretty hard