The Korean police and bandit movie made with the same script as the domestic lobster policeman is still the theme of contrasting cuteness. The combination of the policeman and other cute characters can produce the most comedy effect and make people watch the movie easily and happily. At the end of the film, the imitation of the true character of the hero is specially used in Cantonese music, and I feel sorry for not giving 5 stars.
The film is full of traditional comedy elements such as undercover, pretending to be a drama, exaggerated and super serious, random situations, self-destructive images and other traditional comedy elements. In fact, many jokes are comedy effects formed by using contrast, such as the comedy scene that changes in seconds, Liu Chenglong and other criminal police officers change from squad leader to store manager in seconds, and the punks who want to sneak attack change into self-tie in seconds, usually crushing each other. The bridge section where men and women finally become lovers, etc.
Contrast can also form a prominent manifestation of potential ability. It can be seen from Jin Yong's Shaolin Sweeping Monk. When rescuing the trapped policeman in the film, he was actually afraid that the ugly and crying rescued would kill people. The true potential strength of the criminal police, combined with the fighting scenes, makes people emotional. In fact, the counterattack is a kind of emotional shock caused by the contrast between the psychological presupposition and the actual presentation.
Compared with the lobster detective, this film surpasses a lot, the details and twists are more mature, the characters created by the actors are also more expressive, and the laughter is much richer!
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