For me, imperial power has always been an ambiguous ideology, at least now it has an irreplaceable and quite extraordinary place in my heart. I was also indoctrinated by some so-called democratic, modern political power structures. In any case, it is unreasonable to hand over the rule of the whole country to a certain family, and I cannot accept it as a modern person. (But this question is easy to say more and more, and I have no control over it, so in short.) But the point is that I have something that is not completely exclusive to the feudal system (perhaps some individuals in the imperial control). of so-and-so (I don't know if it's emotion or understanding). How to understand this? Is it slavery? There were people in ancient times for "loyalty", is there a deformed "loyalty" in the hearts of modern people? Taboo for the Venerable? Can't get rid of the hope for the sky in the rule of man? Or do you already appreciate it as something artistic? The mentality of me and some people does not require the individual to be strong - of course, some very attractive strengths in the feudal sense are often connected with personal style and merit, such as Qin Huang, Han Wu, Cao Cao - even he (she) has Some kind of irresistible weakness is better. This often has something to do with the subjugation of the country and the downfall. Li Yu, Zhu Yunwen, Chongzhen, Zhuge Liang, even King You of Zhou and Zhou of Shang. There is also Anastasia, the daughter of the last Tsar in the legend of the film. The so-called cute, I have to use, although the feudal bloodthirsty continued for thousands of years, but the word "cute" has its place here. Why are they cute, pitiful, and sympathetic? Maybe it's because they are finally out of power and become unarmed weaklings, someone is going to hunt them down, and their future is so bleak after escaping the purge of the old dynasty. Perhaps this is people's psychological sustenance for the past, with an elegy-like legend, saying goodbye to the old dynasty and paying homage to the belief in the experience they once believed in. Some people are eager to kill the remnants of the old dynasty and turn them into ashes, while others are still mourning. So sometimes I wonder if these sympathies, and even those legends about the immortality, can reflect something deep in the people's (national) cultural psychology? So, hahaha, people sometimes tend to forgive those who commit crimes, and even show something sensible - they don't think it's so comfortable to kill them all.
Suddenly I remembered the reaction of the family in "Doctor Zhivag" when they heard that the Tsar had been executed. It was intriguing.
How much is actually left? A grandson, a princess? The one who deserves to be killed is already dead, and the soul has long been crushed by the prosperity of the new dynasty...
The years of the old dynasty are like flowing water...
It is the countless historical loneliness that has created a strong historical heritage.
There is nothing else in this film, but it awakened a kind of historical view in me, and made me realize that there are countless things worth cherishing and even admiring people in the past events outside of history. (I've always felt that The English Patient released this sentiment with a very specific story)
We don't see it, they have gone with the wind.
Ten thousand years from now there is no and no one in the world who remembers anyone or anything that's raging now . What kind of limit is this? Is this eternal pain? Who can internalize this?
When civilization has turned to ashes, does the history internalized in our spirit still exist? The rest of the universe is out of reach for us, we are the other.
View more about
Anastasia reviews
