Ask for a pdf of the script. . .

Jakob 2022-04-20 09:02:25

I feel that the best part of this movie is the drama, because it was originally a play. The entire stage is set between the stones of the concentration camp. It is simple, generous, and has tension. Thinking about it, it was written in the 1980s, and it is amazing.
Now, there are many experimental dramas. The forms are more eye-catching, and the pursuit is more and more so-called resonance and feeling. But sometimes the simplest, realistic, less artistically crafted things should actually be the most powerful. You can imagine it with just a little brainstorming (you can't find the drama video to watch it orz), the stage effect of bent can be described as pale, but it is this paleness that makes the tension between the characters just right.
How to say, if it is too dramatic, it will feel distorted, and if it is too drama-like, it will not feel the charm of dramatic art. I like bent because this position is very good, and the development of characters step by step is tightly intertwined with each other. conducted, and very reasonable.
For example, horst is actually not stupid. Max is so emotionally intelligent, can he really be fooled when the captain comes later?
However, compared to Max, Horst is a person who is not very good at "bent". When he saw this Captain who was licked by Max, he was actually very rebellious, so he was really hot-headed, but not too hot. But I can't stand it anymore, I can't stop, I can't live like this anymore.
How much he and Max want to touch each other, how much he can't stand the current situation.
Max can say that I want to live so I sacrifice a lot, but horst can't.
The characters have been very full from the beginning. For example, the matter of moving stones can't persecute Max, but it will drive Horst crazy. At the beginning, when Horst stops Max from saving people on the train, it can be seen that Horst is a very sensitive person.
However, the actor's performance style of orz horst wears little Ben orz. . . Needless to say, clive owen, the emotional control of the last scene is very good. The fact that that kind of lover was gone was hitting him bit by bit. This character's ability to bear pressure has always been very strong, so he was able to face it calmly at first, but gradually he couldn't stand it anymore and needed to sacrifice himself. ← The whole process is well grasped.

Anyway, I still think that Max finally [needs] to die for love.
So there is something life can't bear. . How did orz
think without translating the name, maybe he just wanted to express "this is a love that makes two people only die"?
I feel that the name hurts, just because of that "suffering". Overall, I don't think it's a tragedy.
Just a romantic love story.
Nima. . Really romantic. . . .

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Extended Reading

Bent quotes

  • Max: I love you... What's wrong with that?

  • Gestapo man: Here you will work here.

    Horst: Yes sir.

    Gestapo man: He'll explain.

    Horst: Yes sir.

    Gestapo man: I'm watching.

    Horst: Yes sir.

    Gestapo man: I see everything.

    Horst: Yes sir.