Why is there also Huang Zhengmin here (I was dizzy after reading it, there were two lines in the last five minutes) The actor was very happy, the story was very unpalatable to me. As a film that beat Titanic at the turn of the century to open a new era of Korean commercial films and set box office history, what is more worthy of concern may be the psychological awareness of which Korean nationals in the early 21cs it hit. There should be such an interpretation attitude towards "Wolf Warrior". The two commercial styles of different narrative styles are very skilled. One is the Korean drama-style romance hero and heroine kissing in front of the fish tank and making each other's vows, which is a typical dreamy and romantic mirror movement around the hugging men and women; the second is the secret agent. Gunfights, slaughtered security services and nefarious foes on the streets make for an adrenaline rush. One and two appear alternately, and finally combine into one: the person next to you is an enemy spy. The interweaving and infiltration of daily life and Cold War politics (Taiwan, which is unique to the Korean Peninsula under the shroud of the North-South issue, will not have such a sense of crisis that a war will break out at any time), one is to see the ubiquitous shadow of betrayal in "love"; The second is to not let go of "love" in "hostility": "I am neither Jin Mingji nor Lin Meiyu. When I was with you, I was myself." -Is it not like what Zijun said in Lu Xun's "Death of Sadness" It's mine, and no one interferes with my rights"? However, when a woman makes such a confession, for the love of a man, neither Choi Sang-hwan nor Juan-sheng can match the wavering and resoluteness of women who say "I am myself". The problem is women. The heroine doesn't even deserve to be on the poster, which is the story of two men, the man who symbolizes the history of North and South Korea, the man who writes history and holds a pen. As for the heroine, the hero finally described her like this, "Jin Mingji is a hydra, she has only one body, and the split between the two countries has given her nine heads (people of different personalities)." It directly refers to "women" body” and “national territory” metaphors, women are the national territory. So, a North Korean woman falling in love with a South Korean man and finally betraying her political stance ("tuo north" in spirit) - is this a love story? This is a story of ideology, a story of the "love" of "liberal democracy" incorporating "socialist barbarians". North Korean women defected (emotional) in torment, South Korean men were in charge of grief (reason), executed traitors, and then listened to her favorite songs in memory of her.
There is a chance to read against "Crash Landing on Love". The son of a high-ranking North Korean official fell in love with the daughter of a South Korean chaebol. Fortunately, this time, the mad men and women do not have to fight for their lives. The politics of the Cold War has become a lighthearted and humorous background, adding a little excitement to the sugar water that the screenwriters wrote about. Should it be said that it is the progress of the times?
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