Let's talk about the story first. This secret is not so much a secret as it is a chance encounter. It's just a chance encounter between Xiao Lun and Xiao Yu who traveled through time and space. Just like the surprise after you passed "her" on the street. For "you" and "she", "how to let you meet me at my most beautiful moment". For this, you and I have both "begged the Buddha for five hundred years / asked the Buddha to let us form a relationship", and then, "the Buddha turned me into a tree / grows beside the road you must pass / under the sun /Cautiously full of flowers/Blossoms are my hope in my previous life." (Xi Murong's "A Flowering Tree") The biggest difference from the usual one, this is just a chance encounter across time and space. And the ending of the story is often the faint sadness beneath the bright beauty, "It is a scenery, a light \ connects us together \ is another scenery, another light \ makes us divide things again", (Shu Ting's "Brig") "You have yours\I have my\directions\you remember it or you'd better forget\the light that shines on each other at this intersection" (Xu Zhimo, "Chance Encounter"). When everyone is young, there is a hazy expectation for encounter, and a regret for the loss after hazy. "This matter can be reminisced, but it was at a loss at the time. The encounter is beautiful because it is just a chance encounter, it becomes a secret, and it is buried in the heart with flowers; and the gathering is indifferent because of the appearance, and finally becomes a story, which is passed down with the old and the young. Just the story. In terms of design, this popular "meeting plot" was designed to be such a bizarre and tortuous process. The screenwriter team behind the scenes did not spend much effort, and it was a bit "Hitchcockian".
Speaking of acting, the protagonist plays two student roles. In terms of this role-playing sense, Gui Lunmei may be more suitable. After all, she is very familiar with it. When Jay Chou walks and speaks, people can't help but think of his inarticulate songs, which generally don't greatly surpass his image in the music world. And Huang Qiusheng's performance is still so old-fashioned. I have seen Huang Qiusheng and Jay Chou's father-son confrontation in "Initial D" before, and I feel that Huang can be named "Best Jay Chou Screen Father Image". For example, when Huang saw his son was in a bad mood and played the guitar randomly, it was very classic. Compared with the previous three, there is also the role of Xiaoyu's mother, which is comparable to Huang Qiusheng's acting skills. It's a pity that there are too few conflict plot arrangements for her. So, after all, it didn't really attract attention.
Finally, back to the front to talk about the plot of the piano. How necessary is this plot for the movie itself? And the scene of fighting the piano is actually much inferior to the plot in "The Pianist at Sea". Probably, in the films directed by Jay Chou, everything has to leave Jay Chou's imprint, which is the reason for the existence of the plot of the piano. Somewhat disappointed.
Don't be afraid of the ends of the earth\How come day and night\You are on my voyage\I am in your sight.
This concludes "This Encounter Story".
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