Jay Chou is one of my favorites. I like that tone.
After getting used to the gorgeous, noisy, good and evil of musical films, I also felt that it was time to change my feelings.
The story is a bit bizarre, and after reading it for a long time, I realize that it is not so simple. If it was as simple as that, and it failed the man's talent, it would be like a little woman's childhood dream, beautiful but vulnerable.
It has something to do with my gradually declining IQ. I like the pure beauty of the Taiwan campus from the very beginning.
No matter the screen or the screenwriter, they all know each other. For the first work, the resemblance is not surprising and harmless.
Life is very calm, and feelings are very clean. Like Gui Lunmei's image, there are no surprises, but it is also peaceful and caring.
Those small, a little fake and a little silly little romances, it's hard to imagine that they came out of Jay Chou's mind, who was still humming and dragging many years ago, and it seems to match the small emotions in this man's heart. .
The shots aren't refined enough, a lot of the light could be more enticing, and a lot of the sets could be more mature. But this is also very good, indifferently matching green feelings and fair youth.
The dialogue is very simple and casual, like Xiaoyu, a girl who is genuine but unhappy in the bright reality of her heart, making this little girl who is not firm in herself so firm.
The characters can't be said to be remarkable, but they are all quite satisfactory. Huang Qiusheng's stupid appearance hides the fear of being brilliant. He would rather be an ordinary person to play the guitar, punish students, and secretly smoke. He has a son who is extremely talented. He is unwilling to be mediocre in the conflict, but he insists on being ordinary. The clarity of Gui Lunmei carries excellent qualifications but can not exchange for a little sense of security. So sensitive, so vulnerable, so helpless. Her last hope was all dissolved in the correction fluid writing on the table, even though the reappearance was mottled after 20 years, although she would never see the little heart-shaped circle after 20 years, her life did not end in illness, but It ends in despair, in a future she doesn't support at all. How can such a thin body bear two disappointing lives? Jay Chou's role is the purest, the thinnest, and the least hopeful. That was himself, a fantasist, a person who passively accepted the teasing of time and space, a child who created a plot but couldn't figure out the situation at all. He is the least able to accept the reality, and the least able to banish time and space, so when he hears the ending, he will try his best to find it no matter what, he must find his Xiaoyu, and the dream that he was abandoned by the world around him. As for those loves, those ridicules, those passers-by, they are so irresponsible but seem to have nothing to do with the influence of changing another protagonist of life.
When the story took a sharp turn, it was also a time when many people were surprised and amazed. Finally, I won't waste everyone's attention and look forward to it all the way. The proportions of the plot are not very appropriate. Jay Chou is reluctant to give up every second and every minute in order to clarify his careful conception. It is a little regret, just like a woman's wardrobe that can never be perfect.
When the piano room was demolished, it was unreserved, sealed up, and then smashed. The scene rendering was extremely ruthless. It is like the memories of youth in the drifting years, like the childhood dreams that become blurred and even corpse in the blow of reality. But there are always things that escape from our sight, don't care if anyone cares, they run away, good children hide in the room and grow old, only little Peter can be a genie forever.
This is a secret that cannot be told. It is written on the last page of the piano score, and the corners are broken, but it can only stubbornly emerge when the boat is done.
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