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Keagan 2022-04-23 07:04:18

A typical gangster film, the routine is similar to "Young and Dangerous". In order to get ahead, he is powerless in the face of family and love, and his self-recognized friendship failed to last until the end, and he did not escape the ending of being shot to death on the beach by Houlang.

If I had seen it in 2006, I would have liked it very much. It happened that I watched "Extremely Wicked" a few days ago, and the film was a loser. It's depicted there, but I don't know that there can't be good people in gangster movies. You have a critically ill mother, can you go to forcibly demolish other people's houses? If you love your family, you can go and stab someone with a knife? The protagonist is just like everyone else. There is no difference. Behind every inhuman gangster, there is a normal side, so you can't follow the director's point of view to see things. The girlfriend who sells books can still see it accurately.

These films basically have the word "power" hidden behind them. In a society without rules, no matter the ancient chaotic times or the underworld, survival is the first priority. If you want to survive, all emotions will affect your judgment. The best way is to be like Cao Cao. In that case, doubt everything, and I would rather blame the world. The protagonist has entered the process, and he still thinks about his parents, siblings, wife, and classmates. Such a boss will not end well.

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Extended Reading
  • Gladyce 2022-03-17 09:01:08

    Korean "Young and Dangerous" is fundamentally different from "New York Gangs" or Hong Kong "Underworld": the perspective of those "Blow Flies" truly represents the people and the bottom of the "New World". It's too difficult to meet a partner who will share the joys and sorrows of a lifetime in "Despicable Street", because most of the eyes you can see are people who use you, exploit you, share your bed with you on the weekend, or simply stabbed you in the back. According to the capital principle, you deserve to be cheap and worthless. According to the logic of the power system, you deserve to be unrespected. The most special feature of Yu He's realist work is that he successfully establishes a connection between people who are on the street and people who are in the workplace through the film of intertwining reality and fiction. And this is exactly the feature of the film in the post-Abbasid era: asking why is it a movie? Why is it true? Why is it a guest? What is home? That's right, as the "people" in the movie said: Home is just a few mouths eating at the same table, and the shadow is the song in "Infernal Affairs". Believe me, the movie theater and the TKV box are the most poetic and sad places in the world, because there was a temporary and simple home for all the nightclub Shurachang people.

  • Jessika 2022-01-24 08:01:40

    You only need to remember two things to succeed, who you need and what he needs.