This film is full of emotion, and the portrayal is full and real, but it does not vacuum this emotion into an illusory environment like some praise films. I feel that the film is to explore a way under this emotional support system. What Dao, simply put, is that in each system environment, it follows some principles.
The system environment of this film is mainly chosen in the underworld. Judging from the choices made by the leader of the club, the triad system needs to do the following: 1. It can settle the tricky things, but not let the above bother. 2. Don't cause trouble. If it's your own trouble, you need to be able to settle it, but if you can't settle the trouble, the trouble will settle it for you. If your troubles are still involved, you're basically done. 3, to a certain extent, how to position yourself. The most embarrassing thing is: the wings are so full that they don't want to obey, but they are still in the position of being instructed. One point mentioned in Haval's comment: under the premise of certain loyalty, the higher the ability, the better; under the premise of uncertain loyalty, the lower the ability, the better. If you have high ability, if you are not loyal, then you are the enemy.
Under these principles, it will be much clearer to see the development of the story.
Bing Doo's superior committed the third point. The boss of the club put down his air and asked him to kill a prosecutor. He hummed for a long time, obviously not wanting to do such a tricky thing. So the boss of the club called Bingdou, and Bingdou, who was full of fighting spirit, stopped and set up a prosecutor for the boss of the club, and made the first point. Bingdou's behavior naturally angered his superiors: Didn't you act beyond your authority, and you still did things that even I couldn't do, obviously wanting to replace me, that's not good, you have to get rid of you. Bingdou was more agile and made his superior in advance, so he was successfully promoted to the position of the original superior.
Byung Doo committed the second point. After reminiscing with old classmates, I exploded the industry insider. As a result, this old classmate is a pseudo-tempered person, gentle and elegant, and under the mask of aloofness, he is a wild boy who is depressed and eager to break out. As a result, he turned the inside story into a movie and became a well-known director. For Bingdou, it was a big problem, involving the entire system. This time, Bing Doo did things very inconveniently because of his feelings, but he was troubled to settle it - Bing Doo's subordinates learned his experience and helped the club settle a big trouble, Bing Doo.
After Bing Doo disappeared, this famous old classmate was no longer a trouble for the club, but turned into a resource, so I saw the boss smiling cordially chatting with the director and Bing Doo's subordinates. .
Of course, the whole process is a general description. Imagine what these events will look like if you add the rich and real family, friendship, and love mentioned above. It must be heart-wrenching and sad. Yes, this is the film. Emotional feeling.
The boss of the club deserves to be the boss. As far as the entire system is concerned, he has adhered to the principles very well. Only in this way can the entire system run smoothly. And as a living person with emotions, how does he deal with those full and full feelings? He didn't give up, he just adhered to those principles all the time, and on the premise of these principles, developed those feelings that were compatible with this system. The boss of the club joked with the director, the movie you made is very real and imaginative, and your next movie can be considered a love movie about me and my wife.
At the end, the club boss sings his beloved "Old and wise"
As far as my eyes can see
There are shadows approaching me
And to those i left behind
I wanted you to know
You've always shared my deepest thoughts
You follow where i go...
You and I both deeply remember that we left just because the systems we were in were incompatible.
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