It is not easy to be a big brother, it is even more difficult to become a big brother

Maxwell 2022-04-21 09:03:21

The male protagonist first started from the despicable streets, and took the position of the eldest brother for many years. Then he was replaced by the younger brother with the means he had used. Why does it feel like a modern newspaper... The

male protagonist said that he was willing to quit the underworld for the female protagonist. When he said this, I thought it was a tragedy.
In fact, there are many other signs that this is a tragedy. Otherwise, how can it be worthy of the name of the movie?

The film expresses the multi-faceted nature of the big brother. Use your own methods to protect your family and friends, rely on your own efforts to scramble in the underworld, and believe that your little brother and big brother are really not good.

The movie really expresses the essence of the underworld...
It is already foreseeable that the final fate of the big boss...

View more about A Dirty Carnival reviews

Extended Reading
  • Elza 2022-03-15 09:01:10

    Zhao Renchengshuai has a fart that hasn't been eaten by the pawn

  • Gladyce 2022-03-17 09:01:08

    Korean "Young and Dangerous" is fundamentally different from "New York Gangs" or Hong Kong "Underworld": the perspective of those "Blow Flies" truly represents the people and the bottom of the "New World". It's too difficult to meet a partner who will share the joys and sorrows of a lifetime in "Despicable Street", because most of the eyes you can see are people who use you, exploit you, share your bed with you on the weekend, or simply stabbed you in the back. According to the capital principle, you deserve to be cheap and worthless. According to the logic of the power system, you deserve to be unrespected. The most special feature of Yu He's realist work is that he successfully establishes a connection between people who are on the street and people who are in the workplace through the film of intertwining reality and fiction. And this is exactly the feature of the film in the post-Abbasid era: asking why is it a movie? Why is it true? Why is it a guest? What is home? That's right, as the "people" in the movie said: Home is just a few mouths eating at the same table, and the shadow is the song in "Infernal Affairs". Believe me, the movie theater and the TKV box are the most poetic and sad places in the world, because there was a temporary and simple home for all the nightclub Shurachang people.