On September 24, 2011, saw Lily Zhou again, on the big screen at the Art Center. I probably won't watch it again in the future, so I can look back and say goodbye to my middle school era. I read Nojima Nojima's Disqualification in the Human World not long ago when I rewatched Lily. Because of the different perspectives, the relationship between the abuser and the abused is somewhat different. In this way, Hoshino is also a pattern of the perpetrator. Originally, he was good enough to be raised only by his mother, who was beautiful enough to be the object of sexual fantasies for adolescent boys. Maintaining the appearance of a top student, life is like a pressure cooker, mixed with all kinds of impulses, trying to fight something, but there is no system to fight against it. One accidentally, with a snap, the string broke somewhere, trembling and derailed. The break in the string is Okinawan's weird shamisen, so every time it gets out of control, that crazy piece of music comes out. The emotions of the abused are not entirely fear and anger, and Yuichi may not be able to forget his former admiration. The two have a heart-to-heart relationship on the Internet... Hoshino wants to escape from the identity of the blue cat, and he feels a little ashamed of it. I want to meet my good friend in reality, but I am ashamed to admit that I have the same feeling, and I am also very weak, so I can't hide it for a lifetime. I think Yuichi's outburst has something to do with Hoshino's cowardice. Lily Zhou is a classic no matter from which point of view. For example, it created the first of a small and fresh person wearing headphones standing in the rice field, and turned cruel youth into a hot topic. In fact, I think it is more cruel to squeeze the bus to go to work smelling body odor and to go to work without a future middle-aged person, but there is no gushing hormones, and there is enough reason to restrain the sudden impulse. Standing on the roof, the impulse to "suddenly want to jump" has anyone experienced it before, and there is a term saying that this is the instinct to seek death. The difference is that after adolescence, people no longer have all kinds of capital. Everyone has been in a pressure cooker, some people have become cruel youth, some people have a small convulsion, and some people are pressed in their hearts. In the pressure cooker, we can't see the whole world, and we can reach the wall of the pot. No matter if he is Lily Zhou or what kind of porridge, what he needs is a symbol to distinguish him from others. The reason why Lily Zhou became a classic is because the Japanese have an overwhelming advantage in the second. Lily Zhou used to be my symbol too. I also rode a bicycle that looked like the show (the one with a light on the front wheel, the kind that used the friction with the wheel to light up) through the fields. The youth I imagined was also a slender, pink and cute boy wearing a white shirt, with a gentle outline and a slight hanging from the corner of his eyes, perhaps even with a mole. It's just that he has long passed the age where he can act like a spoiled child, so he secretly sat upright in the dark cinema and clenched his fists.
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