Bai Zuo filmmakers have a little value for the Iron Curtain side, that is, they spare no effort to blacken their own government, and then this side can take it seriously and tell the people here that if you look at what they say, it is still false. In particular, this movie blacks out the US for virus experiments. It's fantastic, and it gives us inspiration on how to fabricate the US as the origin of covid.
But there is one thing wrong with the white left filmmakers, that is, the self-defeating plots they engage in often overlap with the reality on the Iron Curtain side. This is not good, especially for the people here, what will they think about it? It's out of control.
For example, in this drama, the iron plate on the carriage is still the same so far. For example, if you were taken to the Polish quarantine zone, do you understand the current quarantine zone? Do you know how many people went to and some did not come back? Why didn't they come back?
As for the news, don't read the bound book, don't remember how many people in Wuhan burned paper together during Qingming Festival, don't remember how many ghosts were left behind by survivors of the Zhengzhou subway, and don't remember how many people came out of the mortuary and their whereabouts are still unknown.
By the way, there is another point, the executioner who served for the master in the movie had to die in the end. This is just like reality. Several groups of commanders in various operations have been defeated by tigers.
View more about The Cassandra Crossing reviews
