The short review is not enough to write, so I wrote a drama review instead.
I watched "Miss" first and then "Fingersmith's Love", so when I watched it, I would also subconsciously compare it with the lady.
For me, the two works, viewed separately, each have their own merits.
"Miss" focuses more on female and female erotic scenes, which is good-looking, but because it is a male director, it is full of male cohesion. And it's more like the Shuangwen route. In the end, the two live happily together (and then have sex scenes). "Miss" subtly changed the third part to the lady and the maid who were emotionally bursting because of a point (the lady falsely hanged), and the two decided to betray everyone and fly away. At the end, I even took pity on the liar a little bit ~ the liar and the dead old man died tragically.
So I think the plot of "Miss" is more refreshing, the scale of the erotic drama is larger, and the characters are also full, but the fullness of the characters is much less than that of "Fingersmith".
The first and second parts of "Fingerman's Love Pick" are basically the same main storyline, but the budding of the two people's feelings are more focused on the physical contact and eye contact between Maud and Sue, which are very delicate and do not need any filters. The soundtrack alone is enough to have an ambiguous atmosphere.
The acting skills of the two actors, Elaine and Sally, really have nothing to say, and this is still the work of 2005. The drama (or movie) "Fingersmith Love Picks" has a female erotic scene, the scale is far less than that of a young lady, but it can capture my point better.
The first sex scene is no different from "Miss", whether it's hard-to-get or can't help it, but the focus is more on the eyes of the two people, the close-up kiss and the touch of the finger (pointing the question). hot?
I thought the third part should be a cool article where two people revealed how to conspire to blablabla... so I was abused.
The part in the lunatic asylum was really abusive and distressed Sue, and the part of escaping was also thrilling. If it wasn't for Sue's strong body, he probably wouldn't be able to handle it, and he would die in it sooner or later.
(At that time, many men tried their best to send their wives to a mental hospital after they got married, and after they were tortured to death in the mental hospital, they embezzled her property. And Maud's mother was taken in by her father and brother and finally died in it. The most poisonous dick heart)
The most impressive thing is that when she opened the door with a sharpened key, she looked back and saw an old woman wearing a strange hood.
(In those days gentleman took the wife out, and in order to prevent them from talking, they would put on the headgear that put the ball in the woman's mouth)
To make matters worse, Maud went back to Lant Street to suffer, and if it wasn't for Suckerby I'd think Gentleman would have killed Maud.
"Pampered" thin and small Maud has not been trapped in Bryer all his life, she did not believe in the filth that uncle had instilled in him in the past ten years, did not become a plaything for the rich, and did not die in the sewers of London. For freedom and self-esteem, it's a total gamble.
btw maud finally found the only person who had heard her "reciting". He wanted to work for him to make money. If the man said "I have children and wife", your father was speechless? I was afraid that he would turn his head and tell her after he promised her. As for Mr. Lily, Suckerby's character is also full, and it can be regarded as a girl helps girl in a certain sense...? The more confused point is, does she know that Sue was sent to a lunatic asylum by Rivers? If she knew, why didn't she ask when maud returned to Lant Street? If she didn't know, why was she so angry with Rivers in the end? I lean towards the latter. Maud accidentally killed Rivers, Rivers really deserved a life, I have no sympathy for his death (just his face looks better...)
Suckerby took all the charges and sacrificed himself to fulfill the two girls. In the final analysis, it was still the persecution of men.
In the end, Sue went back to Bryer to find Maud. The dialogue between Maud and Sue was really sad and distressing.
"That's full of words saying that how I want you, how I love u"
I really cried.
[If it was made by a male director, I'm really afraid that Sue would give Maud a knife]
the last point
I watched The Shape of Water: Sally Hawkins is not in my aesthetic point, but good acting is enough
I saw the fingersmith pick me: thank you, I was bent by Sally
The emotion between a woman and a woman is the most complicated and the most charming
Trouble domestic film and television works to stop focusing on the plots that insult the audience's IQ, such as female competition, playing junior three, fighting mother-in-law, anxiety about body and appearance, fake heroine with stronger female and stronger male, etc. Aw, the audience isn't me, and I don't watch it either.
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