The hypothetical plot of time travel draws a sad and happy beautiful picture with the pursuit of a dog and a fish, and the title of "Unreachable Lover", as the title of the picture, implicitly points out that while the director's conception is rigorous, it is more It is because the hero and heroine have only five opposing scenes cast regret and disappointment. Under the interlaced time and space, it tells the story of a man helping a broken-hearted woman out of her pain. It has a taste of "My Sassy Girl", but the Hyun Sung played by Lee Jung Jae is more optimistic and funny than the optimistic and funny Morning Bull. , the plot that can be left to the audience's aftertaste is very thin. Because Hyun Sung is more like Lee Jung Jae's own storyboard, arrogance and grace are printed frame by frame in the editing.
double ending structure
In such a huge city, two lonely men and women warm each other by writing letters. The seemingly two-line narrative is unified on a one-way track because of a time travel. Xian Xing was relieved between the lines of Eun Shu's frustration because his father married his stepmother, while Eun Shu found a home under Xian Xing's unreserved love because of her boyfriend's betrayal. The film focuses on the trivial life of the characters, and rarely uses the space of the city to create a sentimental atmosphere, which also lays the foundation for the double ending of the loop, because the loss of the characters in this film is only the basis for the emotional transformation of the characters, not the foreshadowing. The hypothetical nature of time and space is the only element that makes the plot reasonable. Finally, Hyun Sung saw the letter that Eun Shu wrote to him asking him not to go, so the story will go through the audience's mind again, and those who can wake up the memory are those trivial life.
A camera that simulates wet eyes
The style of the film is fresh and beautiful, as if there is a mist in front of the camera, and the overall feeling is more like a Japanese romance than a heart-piercing Korean film. This style allows the audience to better understand the heart of the characters in the plot of a love movie, and at the same time it can also externalize the director's attitude. Delicacy is the source of the beauty of love. Whether the director is shooting Xianxing tasting red wine or taking a walk with Enshu, whether they are happy or lost, even under the night, he must ensure the hazy feeling in front of the camera. Hazy will make the audience pay more attention to the characters' every move, and play a close-up emphasis in various scenes. However, the hazy shots in this film are a little sad, perhaps due to the slow shot and the atmosphere created by the soothing music, but there is a shot of Eun-shu returning home from the rain-washed glass window, and that one seems to be full of tears It is inevitable that I will not let me imagine all the hazy as a camera that simulates wet eyes.
Another arrangement of the episode "Amnesia"
The hero and heroine have a total of five opposing scenes. In the first scene, Enshu asked Xianxing to find a tape recorder. In the second scene, Xianxing deliberately met Enshu at the subway station. As for her boyfriend, in the fourth scene, Hyun Sung was hit by a car in front of Eun Shu, and at the end of the fifth scene, Hyun Sung walked in front of Eun Shu to tell a long story. The traditional provocative way of Korean dramas is to use "amnesia" as a means to insert it into the plot to promote development, but this film integrates the amnesia into the soul of the plot and leaves it to the audience to echo. This is also an atmosphere created by the director using the assumption of time and space. "Amnesia" originally existed as an open ending, so it was so happy and romantic.
The pushing shot at the beginning of the film is foggy, and with beautiful music, it is difficult for the audience to realize that this is a subjective shot. It dilutes the tension of the plot, but also avoids deliberate sensationalism in the face of the second happy ending. However, under the same layout and music in the second ending, there is still a sense of loss and recovery. What Xianxing lost and found was the love he was looking forward to, what Enshu lost and found was her long-lost happiness, and what the audience lost and found was their inner secrets, and happiness was born from this.
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