Obviously, Jia Zhangke's 20-year-old "Children of Jianghu" is destined to not be a big hit. For ordinary mainland audiences, Jia Zhangke, who plays a pivotal role in China and the world, is still a stranger, and Zhao Tao is worthless in their eyes.
It should be said that theatrical and artistic films are a happy thing for movie fans, after all, private venues or something happens from time to time. Therefore, "Children of Jianghu" specially bought tickets for the later period, the purpose is to avoid the accidental injury of innocent people.
But it backfired. Just an hour before the opening, I was quite proud to look at the ticketing diagram of the third-party platform, "looking forward" to watching Chief Jia's new film in the unmanned and open cinema. Half an hour later, a miracle happened. I, a low-end movie fan, was instantly surrounded by innocent people (as shown in the picture 1 me, the couple in picture 2, the little brother in picture 3, the couple in picture 4, and the group of boys in picture 5), and began to rejoice Ga's movie viewing mode.
The whole viewing is not right from the second scene.
Mahjong room, Liao Fanping, as soon as Shanxi dialect came out, the couple in Figure 4 began to learn Shanxi dialect from each other, "Sao Zi Lai Lie", "Neal does not love Hungry Lie"... The opening took a long time, really every sentence The kind who are serious about learning and smiling while learning. It seems that the joy of Shanxi dialect has a natural joy for innocent people.
Liao Fan asked the borrower to swear to Guan Gong, and the younger brother brought Guan Gong and placed it on the table. Picture 2 and Picture 5, who had just entered the scene and sat down, laughed together. Due to the unfamiliarity with Jia Zhangke's films and the prejudice of Zhao Tao's performance, it is normal to laugh at the wrong place.
Picture 3 The little brother is very devoted to the Jianghu drama in the first act (especially a few chatting and fighting scenes), and his performance is often accompanied by "I fuck, what are you doing out of the car, hey" and other OS blurted out, but in the first During the Second Act Three Gorges Good People, after I called and said that the movie was boring, I got up and said I was sorry, so I left the venue and never came back.
The real climax of joy is also in the second act of the Three Gorges Good People period. After Fengjie Huang Mao sang "How Much Love Can Come Again", it was out of control. In Figure 2, the couple who have been eating and chatting began to hum along with Dick Cowboy , as long as the film reaches a boring paragraph (the latter is almost boring for them), they hum "How much love can be repeated", like the kind of brainwashing melody that naturally pops out of my mind when I am bored. They sang loud and small, and finally even the couple in Figure 4 began to sing... the feeling of mixing before and after. The pain is that I took the elevator with them and left the theater listening to "How much love can be repeated", and the most exaggerated thing is that I also sang when I got home to take a shower...
Speaking of movies, for fans who are familiar with Jia Zhangke, there is actually nothing to say about "Children of Jianghu". There is no doubt that he is repeating himself (who is not), except for the point-to-point genre elements, which is different from the previous Jia Zhangke. same.
When I walked out of the theater, I was thinking that if "Jianghu Daughter" was compared to a record, it should be a "1998-2018 Collection of Chief Jia", lyrics and music: Jia Zhangke, singing: Zhao Tao, backing vocals: Liao Fan, track : "Xiao Wu", "Platform", "The Good Man in Three Gorges", "Tian Destined", "Ren Xiaoyao", "Old Man in Mountains and Rivers"...
Section Chief Jia has the desire to harvest the box office, otherwise he would not cut the trailer to be so gangster-like, and hide the truth about his daughter's love. And the performance of the big heroine Zhao Tao is quite reasonable according to Wang Dagen's content. When I was in custody and interrogated, I, who once felt a trace of Ando Sakura's hallucination, somewhat agreed with Wang Dagen.
Whether it is a big era, a small person, or a small person and a big era, in Jia Zhangke's films, the changes of the world and the right and wrong are always the same. Some people have changed and the times have changed, and some people have changed. Times, people and times have changed.
The usual display of the era symbols of this year, yesterday, and the day before in those Jia Kechang films is a private memory review and a collective consciousness gyration. We are people trapped in prison by the times, doing the same set of radio gymnastics. And those who are weak-willed, have already hummed with the times, how much love can be repeated... Is that their memory of the times, or is it a song played by a street wandering roadside shop?
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