This movie is one of Stephen Chow's best-paced films, at least for now. It tells the story at a steady, fast-paced pace that doesn't drag on. If you say that you are framed, you will be framed immediately. If you say that you go to the mainland, you will immediately arrive in the mainland. There are several very classic scenes in the film, such as the one negotiated by the gangsters in Temple Street, such as the scene where Zhou Xingchi met his fans. Of course, the most classic is the "Shaolin Eighteen Bronze Man". The fat man who usurped the position of the God of Cookery looked like Wang Jing. After Karen Mok appeared at the end of the film, I thought to myself that even if Karen Mok had removed the scar on her face, she still wouldn't look good....
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The God of Cookery reviews