not like other Korean movies that use family, love, life and death to tear gas, which is mediocre and cliché. Throughout the structure, story, and expression of [Mint], there is an award-winning face. Generally, such films are too obscure, too dull, and often have a sense of distance that ordinary people cannot get close to. [Mint Candy] It can be said that the textbook style is quite satisfactory and uses flashbacks to tell about the personal changes of Jin Yonghao over the past 20 years, the foreshadowing of details, and the acting tension of the actors. What is more valuable is the affinity of the film, which is as smooth as flowing water, so it is understandable that when Jin Yonghao, who is a soldier, hugs the dead girl and howls, he will also cover his face and cry, and he can't stop.
I don't want to bluntly evaluate [Mints] with some professional vocabulary. Thinking about people and life should always be done with heart rather than rationality. I remember Su De's post-80s novel "Love on the Rails". There is a "Jin Yonghao on the rails" in [Mints]. Perhaps Jin Yonghao not only represents individual cases, but also represents a type of people who put their character on the rails and move forward, a mental state of survival. From simple to complex, from cowardly to arrogant, they were once shy for simple love, but decades later they abandoned their wives and daughters to become promiscuous. What is the cause. others? Life? society? or other objective factors. What about subjective? Most people avoid finding their own problems and blame others, because everyone knows that in such an era, almost no one can get out of the mud and not get dirty. Life makes people. Others make themselves.
The 8-year-old elementary school teacher will call her name and answer "arrive", her face will be red and shy, and it will be difficult to be a 13-year-old junior high school student who
has excellent grades and no distractions. She will work hard to be an excellent successor to the motherland. 18-year-old university smoking, drinking, staying at night, flirtatious, debauchery, watching porn, stepping on two boats, harming simple people
This is not degenerate, at least not killing, not setting fire, not betraying the party, not being reactionary, and always playing a role that can be quickly drowned by the crowd and disappear in the minds of those who are close to each other. But if I list a coordinate, it can be seen that the quality of my life is a monotonically decreasing curve. Life is promoting growth, and there are too many troubles, so I need cigarettes to get rid of; I have too much entertainment, so I have to learn to drink; ; In order to prove his existence, he is coquettish and dissolute; he can't stand the temptation of sex, so he watches pornography; he is greedy and greedy, so he steps on two boats; In reality, people are good at being bullied, so they have to pretend to be strong to fight against external forces.
Who dares to say that he lives in a paradise, in a perfect spiritual world, in an environment of free will, free from the fetters of any personnel. Even Sister Furong, who is only 5% of the people in the world who have completely let go of herself, has to write a song in response to the insulting "Brother Furong", she is not completely open-minded. We always complain about the unsatisfactory things in our lives and then console ourselves. Jin Yonghao committed suicide. Harmonyists must think that Jin Yonghao wants to learn from sister Zhang Haidi. He is disabled and not disabled. Isn't it just that you, Jin Yonghao, killed a girl by mistake and haven't been sentenced, your first love has not been completed, your wife cheated, and your career has failed? What I want to say is that in the same encounter, Kim Yong-ho chose to die, and we still overcome our self-strengthening to live, and it is more likely that we are greedy for life and afraid of death. It is human instinct to be greedy for life and fear of death.
Of course, it is not to instigate everyone to commit suicide when they see the hardships in the world, and it is not to be anti-socialist. We have no power to change anything. Jump off the track, don't say with a grim face and regret when the train crosses the frame and freezes: I want to go back.
(The divergent thinking of this article, the historical background and the personal factors of Jin Yonghao are ignored)
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