I've had a crush on Russian cinema since The Office Story. The creative and expressive entry point of this film is very good, the special effects are dazzling, and it is not an exaggeration to compare with the mature Hollywood film industry. A world made up of the memories of many, but not everyone can discern. In this world, everyone lives by dreams. The borders of the narrative reach here, and there is a mixed driving force of utopian and dystopian conflict. The film is divided into two lines, one is the experience of the male pig's feet in the dream, and the other is the experience in reality. The two lines meet when the male protagonist wakes up, and all the plots are explained. It's not that the architect and the female pig's feet fell in love at first sight, but the two were originally connected. It is the phantom who truly has love in that world. But what about the heroine? She herself said that in real life, her love was unsatisfactory, but did she fall in love with the male protagonist again? Young is the prophet of the fantasy world and the villain of the real world. The characters have the foundation of all complexity and depth, but end up somehow terribly thin. Yes, it's terribly thin. Not only the villain's leader, but also the male protagonist's personal change and self-exploration.
The value of the phantom is reflected in the recognition of self-strength, but also the only honor and responsibility to save everyone. These settings are all three-dimensional.
The therapist's inconsistency finds value in valuelessness.
In the nesting, part of the character logic adheres to the setting of the story, and part of it succumbs to the director's arrangement.
In general, the senses are first-class, it is worth a second brush, and it is also worth digging deeper.
Finally, the heroine is so pretty.
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