This film is still an idealized embodiment of the director as a whole. In this film, no one has strong opposition or rejection of homosexuality, or even has a considerable understanding. No and Pym put their hands together. So on the whole, although the tone of this film is not cheerful, but the content is quite satisfactory. At the same time, Gino and Pym can walk together here. In addition to the mutual attraction between the two protagonists, there is a factor that cannot be ignored. This is the non-mainstream of the parents of both sides. Let’s talk about Pym first, the male protagonist is absolutely There is a very unreliable mother, frivolous and laissez-faire to Pym. For such a mother, no matter what kind of life Pym chooses, he doesn't need to be responsible to his mother. He has lost a lot in this regard. big baggage. And Gino's mother's tolerance and concern for Pippi even acquiesced to this relationship. In addition to the description of the two families, there are hardly any third-party shots in the film, such as neighbors, classmates and other life factors, which also shows that the director is only narrating an idealized segment, not a real life.
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