This is my first time seeing Yuasa's work. It fits perfectly with my imagination of the artist's radical expressiveness. Many times we have the same imagination and feeling as a species, but he can use exaggerated deformation, transformation, color stacking, explosion to accurately describe and express. The sensory experience is just too good, both accurate and surprising. This is something that only animation can do. He gives full play to the greatest advantage of animation expression. Reality and virtuality are infinitely intertwined, and ideology is integrated into the entity, so that the two-dimensional picture expresses the amount of four-dimensional information. The music is even more appropriate. The exaggerated pictures and the elegant and thick orchestral music make people feel like they are in outer space. I wanted to stop searching many times in the middle of the journey, but as expected, Watanabe was in charge (laughs), and Seiichi Yamamoto made me feel like I found a treasure. The regret should be that I didn't really understand how the whole line was developing, the experiences of the four, what was being expressed behind the basic plot, and what was implied by the echo at the end and the beginning--and appeared several times. The relationship between the villain with the time belt and the mind game needs further observation and thinking.
(I just found out that Chunxiao's short and short girl balabla is also his. The last time I watched this, I was in pain because of my aunt, but I didn't watch it at all. It happened that I was in pain at home today...?? Inexplicable fate
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