" I read it out of curiosity about Dalí and the Spanish surrealist artist in the early 20th century. After seeing it, I was deeply attracted by Lorca. Lorca is a real poet, elegant and not hypocritical. , The talent does not love the present, the dashing and not self-obsessed, like a simple and persistent big boy. Among the three main young people in the film, Lorca really dares to pursue and cry for ideals. There is a stubborn heart hidden under his warm appearance. It is really sad to see him say goodbye to his former writer girlfriend Madeleine. Either love or not love, no spare tire, this is the truth and charm of Lorgar. And when he finally told people that Dalí was a genius, his heart was truly relieved. Lorca, who walked out of Dalí's residence, was relaxed and relaxed, and his resolute back was already as strong as the wind. Says it all. It has to be said that the Spanish actor Javier played these contradictory and complex emotions in a natural, unrestrained, yet shy, unforgettable manner. And although Dali played by Robert is not satisfactory, he is not perfect, especially at the end of the film; when he knows that the relationship between him and Lorca is really difficult to end, the kind of person who wants to cry but has no tears and wants to complain. Loneliness and sadness are still very moving.
In contrast, Dali is not not loving, but while loving, he also knows how to protect himself cautiously, and protecting himself cannot be considered a mistake. In other words, Dalí wanted to pursue something other than love, not to mention what homosexuality meant in the Western world at the time. Lorca is real and silly, and Dalí is real, but more realistic. At first glance, Dali's performance was not very useful in my heart, but now that I think about it, everyone has their own aspirations and cannot be forced. But as a movie, it is often not the more realistic people who impress the audience, but the brave people who are not afraid of sacrifice for their beliefs in their hearts. The reason why Lorca has a long-lasting charm than Dali is that his soul is more painful than Dali. Dali can learn to anesthetize himself in the sensuality, regardless of who comes and goes, let alone the turmoil of the current situation. Just focus on doing what you want to do. While Lorca stood with the people, delivering a stirring speech for the freedom of Spain, the backsliding of the souls doomed them to part ways. The impulses and passions, hugs and kisses, and the warmth and romance of cycling through nature have turned into timeless bubbles, never to be found again.
At the end of the film, after the gunshot that pierced the sky, is the poet's muttering in the reeds the last murmur of reality and ideal? And the paintbrush waving in Dali's hand is based on the last mourning and reminiscence of this encounter. Apart from venting his inner pain, what else can it represent...
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