The film tells how a coquettish woman consciously or unconsciously negotiates between three men—oh, no, if you add the original husband who died within ten minutes of appearing on the scene, there are four, let’s count three and a half— — and the tragic story of not getting true love.
At the beginning of the film, it took about ten minutes to tell how the tragic fate of this woman came about: when she was a little girl, she first broke the bean bag from the corpse's hand, then took the shoes from the dead person's feet, and successfully deceived her. A young boy of the same age had an irreversible and adverse effect on his psychological development. In the end, the bean bag still fell into the water. At this time, a strange flower rose on the water. Shaman?), Manshen reached a deal with the little girl in just a few words to exchange her future glory and wealth with no true love. By the way, she told the little girl that the swaying pool of water under her feet symbolized Wuji, and you guys are all here. Infinity spins inside.
Most of the people in Wuji speak blunt Putonghua. Leng is to interpret a philosophical play that looks very philosophical into a comedy that is constantly laughing. In one piece, the comedy effect created by this contrast reached its peak when he was hanged by Nicholas Tse and said "I was moved by them" in tears, and the audience burst into laughter; A dialogue is simply a dialogue between the big and small eunuchs.
It is said that Director Chen Da spent a lot of money on stunts, but unfortunately the most closely related to the development of the plot is a scene of less than 10 minutes - the forest of bananas is full of gods in the form of a three-dimensional movie to show the future to the general. Destiny, the rest of the scenes are dazzling skills except for rendering. I can't see how the development of the story will be affected if I don't invest in these stunts, and I can't see that the story will be told more excitingly after adding a lot of money, what's the difference or what? Difference.
The theme of the whole film is probably that love can change destiny and break through the bounds of the infinite. Bright's fate has not changed. After shedding funny tears, the time of death is approaching. Nicholas Tse didn't believe anyone even when he died. In the end, Zhang Dongjian put on a black robe that could fly through time and space, and hugged Cecilia Cheung, and it was more like going out of the body. What to choose and what to change, I didn’t finish it within two hours of the cinema, and I forgot everything immediately after leaving the cinema. Such a nutritious product needs to invest 200 to 300 million white flowers in the filming of “Yellow Earth”. Where did Chen Kaige go?
It is also necessary to "rush to the Olympics", reminiscent of "House of Flying Daggers", alas, a moment of silence for the talent of Director Chen Da.
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