lot of three renderings and two, and the effect is flawed. Especially when it is widely used in the animation of living creatures, it is a bit short and long.
The core and the way of the story are the way of EVA. Nuclear is to reflect on war and killing through human nature. The road is all realistic airborne and super realistic, and smoke screens are used to draw big cakes.
It's just that the director's taste is different from the director's. EVA's smoke screen is more advanced, it is based on the bible blueprint and restrained narrative that can be overwhelmed, and the plot finally points to a more ambiguous. The smokescreen of the Golden Age of Swordsmanship is too clear and violent, and there are too clear conclusions in many places, such as the theory that human nature is inherently evil: Gelfies's attachment to Gus is more out of competitiveness than friendship. Also a villain, the contradiction between Zhu Xun's humanity and divinity makes it impossible to simply characterize him as good or evil, which makes the character of Zhu Xun complicated and layered. If an actor is used as an analogy, the difference between the story of EVA and the story of the Golden Age of Swordsmanship is like the acting skills of Marlon Brando and Leonardo DiCaprio. One is restrained, advanced, closer to real human nature, and the other is enthusiastic. , direct, more clear love and hate.
It's a rare good animation, but it's still far from a masterpiece.
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