Landing on the island is not a typical detective drama. The latter either uses the detective as a motive, but the inside is actually action/comedy/love; Happily. It is a bit like "True Detective", including the style and character relationship design, but it is not so hardcore, or is it boring?
Landing on the Island is more like a declassified drama in the conflict mode of a detective drama. The feeling of watching is like solving a weird endgame-at first it was complicated and complicated, and as the progress progressed, the logic in it became more and more felt, and just after finding a grip, things changed to a situation that forced the characters and the audience to change their minds together and face new challenge.
A policewoman who can't understand how others feel that they are often treated as mentally ill, and an experienced and friendly old detective who gave birth to five sons with three women are not a perfect combination. In fact, they often drag each other down. The "participation of the protagonist" is not even the reason for the detection of the case, and the two protagonists did not show jumping "superpowers" in the detection because of their special personalities. And until Martin hesitated after hearing the name Jens, he gritted his teeth with Sakya in the Atlantic sea breeze, trying to squeeze a smile and lie with difficulty. The personality of the characters explained five minutes before the first episode finally made a big noise here.
The screenwriter abandoned the usual routines of detective dramas. He was just telling us a story about Northern Europe and the police.
(Eye in)
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