Zou Bo
I only watched Heifan recently. It was the last two years of previous conscience dramas that inherited the traditions of Lost. It is different from the cheesy but crude and naive American dramas in the past few years. It is still the kind of conscience method that uses topological maps and algorithms in screenwriters, and it deserves its name in the pirate world, because the pirate world is the result of millions of uncertainties, just like the sand of the Ganges. The most important feature of historical dramas is the individual's sense of nihilism in the face of history. But in the end it was not the plot that left me visually, but Captain Flint's tight sadness from beginning to end (it was better than Clint Eastwood's signature cowboy sadness equivalent to the American smile of Meg Ryan) , The kind of being serious without doing anything, just like doing nothing in the new year, and the world being hit hard for no reason. In the new year, nothing has been done yet, giving me the first trauma. Look like. I wrote about Rimbaud: Having a pale face under the stars of a long night attracts me more than living in a long story. Toby Stephens is also an actor like that. If you don’t worry about your face, your facial features will disappear, turning into white skin and fluff. The low-key and arrogant British family actor is now unable to catch the big show. He plays his father in a children’s science fiction drama like Lost in Space. Compared with the pirate world, driving a spaceship is really pediatric. It is useless, but it is still vaguely visible from time to time. As soon as he arrives at any human base and looks at the crowd from a distance, Captain Flint’s obsessive sadness appears. In a world where the premise is constantly changing, he is constantly looking for new seriousness. Those who love him think he is big-hearted, and those who hate him think he is small. It seems that this astronaut father doesn’t like children at all, he still likes them. It is nostalgic to endure countless traumas in the adult world. I don't know what is sensitive about this passage, and it cannot be reposted on Weibo.
In addition, some gossip about the melancholy of human melancholy. Seeing more and more discussions about the stupidity of "Melancholic Literature" and "Melancholic Thoughts", "Melancholy" is more and more regarded as the anger and grief caused by the determination of the heart and the sword, including some melancholics in literature like Dostoyev. Ski, including the persistence of value, long ago I also thought that it is foolish to own the other shore, such as the nostalgia of Taiwanese poets, such as the beautiful other shore in Milosz's poems. Poets should not have the other side, such as Oden, do not stand in line, as if some kind of improvisational sobriety, and Susan Sontag’s omnipresent seriousness as a somewhat ambitious American intellectual, in fact, there is no other side and melancholy The criticism may be a yearning for a new seriousness. The important thing is to see who is criticizing melancholy from the other side. If it is Nabokov, this kind of delicateness is his vulgar improviser. You may not care about it. If it is Oden, you must listen carefully. Listen to how those who don’t stand in line are more serious than those who stand in line. Let’s see how serious is more serious than melancholy. Keep an open mind and see what new seriousness we can really create.
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