A single prodigal son, a dream chasing boy, escaped all the way by coincidence. The frame of the road film is very modern fairy tale because of the conflicts and special fetters of the characters. The first two scenes are excellent, the repeated mirror images of water, continuous washing and purification, the kind of yearning for innocence, hope and redemption, broad and longing, beautiful and sentimental. The sparks that rubbed between them were as warm as the ray of sunlight shining through the sails of a boat. People who liked naturally smiled.
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