How can you bear to reject God?

Deonte 2021-12-07 08:01:02

Next year’s Oscars for Best Picture and Best Adapted Screenplay are the biggest hits, not only the three views are right, but the completion of the film is also very high! The filming method of the film is very similar to this group of newsmen. It is objective, calm and rational, clean and not sensational. The script is a very traditional genre film narrative routine, which is both solid and practical. The team spirit of the crew is like a wonderful group performance without any The main creators grab the limelight, but they are powerful and awe-inspiring. Only the expression of coldness and restraint has the shocking effect of "listening to thunder in a silent place".
"How can I bear to reject God?" He was very stable in all respects. Because of being too political and tidy, the subject matter was not new, but he was not appreciative of it. This kind of shock comes more from the real event itself. As a movie, it is actually not as good as 8.9 points. It is more like a high score for documentary films. The authenticity of the incident is shocking! The torture of the system, the portrayal of the reporter's work (the more dramatic Newsroom), the attention to the progress of the event itself rather than the indulgent lyricism, and the controlled portrayal of the different perspectives and attitudes of several major reporters. The highest standards of similar social biographical dramas set an example. Constantly asking about something bigger, I think this should be the ultimate responsibility of all art forms.
It's a bit like "car crash", it's all group drama movies, everyone has superb performance. Focusing on the Catholic sexual assault scandal, slashing throats step by step to verify. The most successful film is to cut child molestation and sexual orientation, pointing out that this is the top-down institutional ugliness of the church, the world's most dirty organization. After watching it, people will lose all respect for religion. A very stable and solid investigative thriller, which reproduces the critical process of the Focus Reporting Group investigating a large number of Catholic priests' sexual abuse scandals. The original report won a Pulitzer Prize, and the film is like a heavy documentary literature. Keaton and Ruflow showed a very high level of performance, and McAdams was in good condition, and the film was very Oscar-like. Keaton answered the phone at the end of the office with a hello to focus, and the finishing touch was great.
"Sometimes we all like to forget. Most of the time we stumbled in the dark. Suddenly it was dawn and people started accusing each other." That morning, after the report was issued, the phone of the "Focus" group office was suddenly called. exploded. For reporters, revealing the truth is always the first thing, but this film also tells the "silent spiral" mechanism and the prisoner's dilemma in addition to the reporter's investigation of the truth. It is also worth pondering.

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Extended Reading

Spotlight quotes

  • Sacha Pfeiffer: Does Jack Dunn work for the school?

    Walter 'Robby' Robinson: No, he's PR for Boston College. They call him when they need help.

    Sacha Pfeiffer: And Pete Conley, why-why was he there?

    Walter 'Robby' Robinson: Good question. Pete's a big alum. But I called Bill directly and I asked for a sit-down. I never mentioned anybody else.

    Sacha Pfeiffer: It's like everybody already knows the story.

    Walter 'Robby' Robinson: [indicating the Globe building across the street] Yeah. Except us. And we work right there.

  • Jack Dunn: I graduated in 1979, and I had no idea about any of this. So if you're suggesting that Father Gibbons and Father Callahan had in any way...

    Walter 'Robby' Robinson: Gibbons and Callahan. I mean, they ran this place like the Navy. You really think they didn't know?

    Jack Dunn: It's a big school, Robby. You know that. A-And we're talking about seven alleged victims over, what, eight years?

    Walter 'Robby' Robinson: No, we're talking about, you know, seven that we know about.

    Jack Dunn: This is ridiculous. You're reaching for a story here.

    Principal Bill Kemeza: Jack. Jack, Jack. If I had been president then, I would've known.

    Jack Dunn: Bill, I'm not sure that's relevant.

    Principal Bill Kemeza: Why do you think they sent Talbot up to Cheverus? You know they wanted him out of town.

    Pete Conley: Robby, as well-intentioned as Bill's remarks are, I'm hoping we can keep this between us until we all get on the same page.

    Walter 'Robby' Robinson: Is that why we're here, to get on the same page?