The 12th #法罗岛电影节# will bring you "Zoom" on the 7th screening day of the main competition unit. The following will bring you the evaluation of people holding cameras on the front line that crosses the real and false!
George:
I really eat Antonioni.
Ye Fan:
Use fashionable brushstrokes to tell: whether seeing what others can't see is really seeing. The high-level sense of the whole film overflowing the screen is admirable.
Queen of the Faroe Island Empire:
Seeing or not seeing in the human heart, spiritual compromise is like a tennis ball of nothingness, a contract to be observed together instead of truth and facts, idealism or disobedience.
Fruit trees:
All kinds of accidents during shooting made this movie. Antonioni “spelled out” the film with unfinished film, creating a “more artistic” top grade.
The song is wrong:
From illusion to reality, the cognitive boundaries of existence, the true meaning of existence, and the final reality... When the sound of tennis sounds, it can only be said that the master is the master, a stroke of magic.
We Min Hee:
Atypical suspense films, when I watched, I was curious about what effect Hitchcock would make of this film. I wanted to show that the part of the youth's confusion at that time should be gone, but this is not necessarily a bad thing.
Bat Bats:
Can you still believe what the eyes see? If you are a mortal, there is no need to magnify this or that matter. Ask again, is what you see really exists? If you turn out the rewatch after ten years, the experience you will get will be more profound.
Sugar-free Tucao:
Strong media reflexivity, perception failure, media unreliability, and one-sided facts completely lose the meaning of value judgment. When humans think, God laughs. Can we transcend ourselves? It is still only possible to obtain group relief from truth and falsity.
supremacyacron:
If Hitchcock's voyeurism is a means to advance the storyline, the camera voyeurism used by Antonioni in this film is to enter a state of aimless freedom. Taking photos, zooming in is the image, it is a static capture of what happened at a certain time, it is a beautiful yearning for the flesh and desire, and the final similar performance art also casts a psychedelic veil on the film. Perhaps the purpose of the male protagonist's doing this may be that he has no purpose.
Full of Zhao+:
I didn’t really enjoy the film. I always feel that the whole film is annoying at the end of the story but it’s not telling the story. Although the look and feel of the whole film is excellent, the color of the girl in the white room is very exciting (the girls of that era) It turns out that people who don’t wear underwear keep zooming in to find the truth, but they only care about it. The world is still in the carnival, playing invisible balls, upholding the truth in their own heart, and surviving the truth built by themselves. . Even if the reality is a small group, for the whole world, small is no different from itself. So, should I join them???
sparrow:
Borrowing the camera, a medium with gaze power, reveals the truth in Antonioni's eyes: the reality of power is subject to the acquiescence of the group. The process inevitably blurs the distance and boundary between illusion and existence, which is absurd, cruel and ironic. The silent processing of the tennis ball without physical objects enhances the suspenseful atmosphere by pretending to be quiet; the image composition allows to observe Thomas as a voyeuristic photographer; the multiple photographer identities "voyeur", the image's record of the photographer Thomas makes it hidden We behind the screen are the other voyeurs, individuals who need to reflect on the real, and at the same time convey the director's intentions.
No one at midnight:
It's a movie that really discusses "existence" itself, the kind of cold and alienated emotion that excludes you, pales all the way, until finally witnessing the people who dominate the vision infinitely small in the surrounding magnification, suddenly pounced on the mystery. Illusion, suspicion, and emptiness are suffocating. Whether it's a kissing man and a woman, a dead body, a ecstatic party, or finally he walks in in person, no matter what is placed there, whether you see it with your own eyes or imagine it, they are all frozen in the lens The props are the last relics from life to death before the shutter is pressed. Can you imagine that maybe art will become your incredible look one day?
Pincent: Unlike most Antonioni's works, the language is also different. Joining the queue of commercial genre films can also be so refined, subversive and full of interaction. It mobilizes the audience to think and does not give a clear answer, and it can remain sexy. The reality is the illusion, and the movie captures the reality in the illusion. Mastering the camera controls the power. It is noticed that the person being photographed with the camera is wrestling with the photographer. In the male-dominated industry, nudity prevailed, and the director was completely overthrown. The medium of the image is not so important, it is not reliable, as is the consumerism and pop culture of modern civilization, no one cares about the disappearance of the sign on the road, the idol’s guitar is looted and discarded, and the propeller art of the antique shop is randomly placed. . Choosing truth and existentialism is helpless. Only by choosing to compromise and cooperate with the performance, picking up the non-existent tennis, and joining the collective abandoning persistence can you obtain the truth you seek. In the end, the vision of God’s perspective, the male protagonist suddenly disappeared. The focus of the camera is sometimes detached and shifted from the protagonist, and the captured era groups are full of nothingness and anesthesia.
#FIFF12#DAY7's main competition score will be released for everyone later, please wait and see.
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