Plot for myself

Maurine 2021-10-18 09:31:21

Bruce Willis played David, a middle-aged man who suffered a family crisis. He was engaged in security work in the university gymnasium. He was a former American football player. On the way back to Philadelphia from New York, David’s train had an accident. All the passengers in the car were killed except David, but David was unscathed. The local media reported the accident and specifically mentioned the only survivor David.
On the day the church held a memorial service for the victims, David found a card in his car with the sentence "Have you never been sick?" David himself had the same question, so he went back to check. After checking his attendance records, he found that he had never taken sick leave in 4 years. Back home, David asked his wife the same question. Because his wife and him are in a marital crisis, his wife does not care about his problems. The next day, David took his son to the "Limited Collection" comic store indicated on the card. The owner of the store, Ilya (played by Samuel; Jackson), was the one who gave him the card.
It turned out that because of hereditary diseases, Ilya was born with weak bones and easily fractured, and was called the "glass man". Therefore, most of his life was spent in hospital beds, and he was accompanied by all kinds of comic books. Ilya believes that since heaven arranged for him to exist, there must be another extreme person in the world, that is, people who never get sick or injured. And David is such a person. Ilya tried to convince David to believe his theory, and gave examples of several recent major accidents. There were no survivors in the plane crash and hotel fire. Only this train accident, David was the only survivor. David didn't believe in Ilya, and thought he was a liar, and took his son out of the comic collection shop.
After several twists and turns, the relationship between David and his wife turned for the better. And in his contacts with Ilya, he gradually accepted Ilya's point of view and realized that he did have extraordinary abilities. He also used his own ability to solve an assault incident by a gangster, and he really became a "hero" in a comic book.
The ending of the film is somewhat unexpected. At the exhibition of Ilya, David and him met again, by which time they had become friends. Just as David shook hands with Ilya, with his own superpowers, pictures flashed before David's eyes. It turns out that in order to prove his theory and search for "heroes" who won't be injured, Ilya made accidents such as plane crashes, hotel fires and train derailments. Unable to accept this fact, David left Ilya's gallery with a complicated mood, and Ilya's shout "They called me the glass man" came from behind.
In the end, David called the police to bring Ilya to justice, and Ilya was transferred to a mental hospital because of mental illness and exempted from prison.

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Extended Reading
  • Adelbert 2021-10-20 19:00:15

    The whole film becomes reasonable and smooth because of a handshake at the end, and the finishing touch requires a lot of courage. After more than an hour I was almost boring to death by inexplicable suspense. My family’s suspicion of David and Elijah’s suspicion of David have not been confirmed. They are constantly filling the plot with no results. The key point is: what if it is proved that David has a strong body? I dealt with this problem at the end, but the whole process made people experience the anxiety that was nowhere to be placed, and the thinking brought about by the suspense was almost very shallow.

  • Jayde 2021-10-20 19:00:26

    Xia Maran's LIKE work. The first few shots are very characteristic.

Unbreakable quotes

  • Elijah Price: This is from Fritz Campion's own library. This is before the first issue of the comic book hit the stands in 1968. It's a classic depiction of good versus evil. Notice the square jaw of Slayer, common in most comic heroes. And the slightly disproportionate size of Jaguaro's head to his body. This again is common, but only in villains. The thing to notice about this piece... the thing that makes it very, very special... is its realistic depiction of its figures. When the characters reached the magazine, they were exaggerated... as always happens. This is vintage.

    Young Father: Well, wrap it up.

    Elijah Price: You've made a considerably wise decision.

    Young Father: My kid's gonna go beserk.

    Elijah Price: [confused] Once again, please?

    Young Father: My son, Jeb. It's a gift for him.

    Elijah Price: How old is "Jeb"?

    Young Father: He's four.

    Elijah Price: [frowning] No. No, no, no, no, no. You need to go. Now.

    Young Father: What'd -- What'd I say?

    Elijah Price: Do you see any Teletubbies in here? Do you see a slender plastic tag clipped to my shirt with my name printed on it? Do you see a little Asian child with a blank expression on his face sitting outside on a mechanical helicopter that shakes when you put quarters in it? No? Well, that's what you see at a toy store. And you must think you're in a toy store, because you're here shopping for an infant named Jeb. Now, one of us has made a gross error... and wasted the other person's valuable time. This is an art gallery, my friend... and this is a piece of art.

  • [David and Audrey on a date night]

    David Dunn: ...I think rust.

    Audrey Dunn: Rust?

    David Dunn: As a color, not as rust. You know, a rust-colored paint or wood?

    Audrey Dunn: I didn't know that. Mine's still brown.

    David Dunn: My turn. What's your favorite song?

    Audrey Dunn: "Soft and Wet", by the Artist Formerly Known as Prince.

    David Dunn: What was that?

    Audrey Dunn: We're supposed to be honest.

    David Dunn: "Soft and Wet". That's very interesting.