In the third part, it may be based on innovation, so there are many different styles from the previous two parts. At that time, the concept of building a complete IP worldview may not have been built. All the operations of IP were still market-oriented. Therefore, this third part was formed that was completely different from the previous two in terms of temperament and plot setting.
I think the problem with this film is that in order to expand the vitality of this IP, the director and the main creator have taken a bit of a step forward.
The real horror of Ghost Street lies in Freddy who kills in his dream. The charm of Freddy's killing is on the one hand his completely black humorous lines, and on the other hand, his ability to play cards out of the ordinary and seamlessly connect dreams and reality. Especially for the latter ability, he can make the audience have a sense of reality and fantasy. It also made the protagonist in the film, wandering between nightmare and reality, unable to extricate himself, and finally died in an extremely tragic way.
The film did not do a good job in this aspect. Still the Freddy full of black humor. But the brilliant lines and appearances are much less. The most unacceptable thing is Freddy's killing creativity and effect, which are much worse than the previous two. Whether it’s a muscular puppet doll jumping off a building or a head rushing to the TV, these two ideas of death have more connotations than form (the main creation contains too many things to express. To the TV, it expresses the persecution of the children by the TV. However, the original intention of the expression is forgotten.) If the two ways of death make people feel unbelievable, then Freddy has become a bridge through which the beauty sacrifices the color to lure the victim to the bait. , It is disgusting, the killing method is very unrelenting.
In the whole film, even this level of death is one of the few. Maybe the creator of this film thinks that children are the vulnerable group under Freddy's threat. Therefore, all characters are given some small abilities in the dream. The main creator may hope to show the battle between the protagonist team and Freddy in this way. However, this setting completely deviates from the connotation of Menggui Street itself. Originally, the game between Freddy and the protagonist team was a battle between wisdom and conspiracy. The point is if the protagonist escapes the devil's claws through his own wisdom. Not the kind of tit-for-tat, fist-to-flesh confrontation
Moreover, the abilities that the main creator bestows on the protagonist's team are too lacking (the heroine's superpowers are somersaults and escape, the lame brother's ability is conjure, the black brother is powerful, and the poisonous girl's ability is... Cross-dressing), there is no doubt that this kind of lack of ability is completely insufficient in front of the ghost king. The so-called battle between humans and ghosts does not have the necessary tension and courage.
In the end, Freddy was resolved, and he also had a strong bug attribute. The protagonist team got the god assist from Freddy's mom, and then killed Freddy by destroying the bones. On the surface, this setting is in the past. But if the dust returns to the dust, then how to write the story of Freddy later, this series will not be filmed afterwards. Besides, Mum Freddy is such a virgin, why should she sit and watch a group of children die under Freddy for more than ten years, and wait until the last group of children are in danger? Earlier, what did this Virgin do?
Although the score of this film is very high, I personally feel that this film does not reflect the feminine and dangerous temperament of Freddy at all. Many ways to show Freddy are the naked cult (like Freddy The kind of scene where the female protagonist’s mother’s head is cut off in a dream
One yard goes to one yard, the setting of Freddy's body covered with imprisoned souls, I think it is still very good. The return of a generation of heroines also surprised me. But the result is a bit sad. . .
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