Talk about some features of this film

Dessie 2022-05-23 12:31:57

The horror "hack and kill movies" of the 1990s naturally focused on the tragic situation of the bloody victims. But the film also has some characteristics of its own, which made it have its own corner in the era when B-level horror films were rampant.

The first major feature of the film is to create a sense of loneliness that the heroine is gradually being isolated from society. The people around died tragically, and the first scene was only the heroine who was covered in blood with the murder weapon, and no one else. She was taken for granted by the "presumption of guilt" and was sent to a mental hospital. Husband’s derailment, friend’s tragic death. Suspected, nowhere to appeal, and the loneliness of being betrayed by the people, the director used some monotonous reinforced concrete urban architecture vision shots to convey to the audience the protagonist's experience throughout the film. The heroine is not a simple victim or a facialized character who fights against the villain, but has her own mood changes, which also lays the emotional foundation for the ending climax. In addition, the screenwriter team also made a past and present creativity, the heroine and the villain also have a past life.

The second major feature of this film is the expression of the strong racially discriminatory atmosphere against blacks in the United States at that time. This is more than twenty years earlier than the later masterpiece "Escape from the Deadly Town". The dilapidated black community and the different efficiency of the police in handling black and white victims calling for help all reflect the director's criticism of racism.

The last feature is that the heroine defeated the villain with self-sacrifice, but eventually turned into a new urban horror legend, the candyman died, the candywoman was born, and the cheating husband was punished. This kind of setting that kills the horror movie villain and inherits the villain's mantle is also more distinctive.

The overall narrative rhythm of the film is average, not relaxed. There is no traditional "hack and kill movie" for a few minutes to "hack" one person to pursue the rhythm of the ultimate visual blood experience.

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Extended Reading
  • Valentina 2022-05-23 10:45:17

    Sure enough, it is a classic in the history of horror movies, with climaxes and exciting. It is recommended to change its name to "Give Life for Academics." Entering from urban legends and religious mystery experience, the camera is aimed at folklore scholar Helen. While searching for the Candyman story, Helen sacrifices himself to him step by step, which can be called the highest level of field investigators (x). The film involves many grand ideas, the isolation of the middle class and the slums, the police who refuse to protect the black community (almost as a prophecy for the disbanding of the police station in the BLM movement today), the fear and alienation of single mothers, and the erotica on and off the university podium. Trading, the resurgence of American conservatism in the 1980s and 1990s, the illusion of capitalism and its destruction... Finally, the story of the Candy Man turned out to be a bible for the weak. From Candyman who was lynched by white people to Helen who was betrayed by her husband, this was a time. Revenge is also a journey of self-salvation. Classic movie symbols have a profound influence on later horror films. Jordan Peel’s Get Out and AHS S7 can both find the shadow of this film. With Zhuyu ahead, I can't help but worry about whether the 2020 remake of "Candy Man" can surpass the original...

  • Geovanny 2022-05-23 09:19:59

    The heroine has the demeanor of an early Hollywood actress, blonde, sexy and glamorous. It’s just that this story is a little bit clichéd, urban legends and so on, seem to be the same routine. In the end, this ending is very happy. The heartbreaker is erased, can Xiao San be far away? This can be regarded as a US version of the revenge of the chaotic wife.

Candyman quotes

  • [Candyman walks up to Helen as she remains hypnotized by him]

    Candyman: You were not content with the stories, so I was obliged to come.

  • [the bathroom light flickers as the dead Helen appears behind Trevor]

    Helen Lyle: What's the matter, Trevor? Scared of something?

    [as Helen begins cutting Trevor's body open with Candyman's right hook]