The feeling of waking up from a big dream makes you stare. The eyes seemed to have just experienced a long suffocation.
Oh my god? ! Is this really reality? ! Why suddenly feel that it is better to be able to return to the so-called reality than to be in a harsh and unwakeable illusion? ! The reality that we hate, the reality that we have always wanted to get rid of, what is it, and why it will make people crave it to save our hands when they are desperate.
When Chiba said, "You are gluttonous, sloppy... Appearance is important, but there must be a limit, but who can think of you like this is a rare genius in the world...", when she abandons all worries, completely Only hold that fat man lovingly.
I suddenly thought that the unhappiness of so many people is just because they conform to reality and cannot be sincere to themselves.
Be sincere to yourself, sincere to yourself, and sincere to yourself.
It is not the expansion of the heart that repels reality and creates delusions and desires for the ideal world. Any desire or any beautiful fantasy, once out of control, will lead directly to the back of them. When we enter that state and become patients with paranoia, depression, and anxiety, we in turn are controlled by our abnormal mentality. Simply put: the limit of repression is destruction, and the limit of indulgence is also destruction...Like the people in the film, they walked to the top of the tall buildings, dreaming that they would fly, rushing out of the edge of the house, and throwing into the blue sky after the moment of detachment. It is undoubtedly facing the death of a heavy fall.
People are afraid of death, and they dare not use death as the origin to reverse the calculation-if human beings have only one result, an ending that cannot be changed by all the philosophical and highly developed technologies, death. Before we die, what kind of life we are going to live.
So let’s start from the beginning:
Knowing that "Papurika" is a film that was placed before watching "Evil Boy". The music and the pictures made me feel that I would like this film deeply and collect it, so I bought it the next day (so I paid it back when I bought it). I learned how to distinguish the Hong Kong version from the Taiwan version, laugh...), after watching the music for ten minutes, when the music sounded, I suddenly felt strangely familiar. There was another work that echoed it, and I hurriedly paused and opened the disc package to find it. , I found "The Delusion Agent" and searched on the Internet. Sure enough, there is a common name, Jin Min... I never knew this guy, but unknowingly I already had "Woudai", "Millennium Actress" and this "Purika" "...The
first two films both progressed in a slow tone that I didn't like, and neither of them let me finish. But in the end, he completely admired me with a "Papurika".
Its theme music still has a similar melody and likes to use echo, as if many people are responding to you.
And the picture finally expands the imagination to infinity, shuttles between dreams and reality, and finds the lost self in the constant saving of others, and finally merges the salvation of oneself and others into one. The dream of the policeman and the dream of Chiba, the first and the final scenes are very close, seeing bad angle B (forgive my memory name disorder) become the villain of the policeman who tried to kill him several times in the dream, I was dumbfounded. , The conception of the director is jealous and deep love...
Of course, the plot of "Papurika" is not unique. Takahashi's "Fu Star Boy Theater Edition-Beautiful Dreamer" is also a similar work. The protagonist is constantly interfering with reality. Shuttle in the dream and the final dream tapir swallows all the dreams and the ending of Papuri are similar. It’s just that the ultimate theme of Takahashi’s stay is love. パプリカ is more than love. It is mixed with more elements, like a chocolate that is more and more fragrant. It is indeed gorgeous enough, and the richness jumps to bursting. The picture, the many parallel clues, the characters with their own characteristics and ideas, and its language, the suspenseful mysteries that are constantly revealed, and the humanity and technological power it reveals? Whether the ultimate form of reality and dream are each other, etc....
I don't know these things. So I would rather keep it simple, or even just want to remember one sentence it made me understand: Please be sincere to yourself.
OK, let’s summarize the things that embody them, the huge comedy parade that can’t be stopped, the leaders’ gestures like Nazis, and the discarded sunken objects from childhood memories that are rejected by us. The things we love and the things we love, everything has a source, they come from the knot of the bad angle, the knot of the police, the knot of パプリカ...... This is the so-called combination of dreams.
Our dream is our spiritual vent area.
I am very happy. I saw two great works today, and I personally admire the latter.
Compared with "Evil Child" which only describes pure good and evil, "Papurika" digs deeper into our ideology.
If you think "The Evil Child" touched your soul, it is your kindness.
If you don't understand "The Evil Child", then you have a very happy life.
So if you think "Papurika" makes you stunned, it means that you have already thought a lot, and it is embodying them.
If you don’t understand "パプリカ", hehe, congratulations, you are simple and innocent.
There is nothing wrong with simplicity, and there is nothing wrong with complexity. Good and evil are reasonable. The key is whether your own heart knows how to control it.
Everything is desire. Put down the butcher knife and become a Buddha on the spot. This is the truth preached by both Buddhism and Christ. There is nothing wrong with it, but faith is not absolute.
When one day even faith can't explain your inner thoughts, maybe you should watch "Papurika".
Don't be too detached, and don't be too repressive. In the sea of deserts, systems, rules, and the unchangeable advancement of the times, you are alive and well. Love what you love. Please be sincere to yourself.
Hmm, love is an eternal theme. Let me use this sentence to add a vulgar and vulgar summary to this excellent "Papurika"!
(Because I watched two good films, I am very happy today, I hope you are like me:))
PS: For the rational analysis of this film, please refer to REIGAR downstairs. thanks.
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to the perfection of information are all reproduced :()
Paprika this September 2, 2006 Venice film Festival has emerged.
Released in Japan on November 25, 2006.
It was released in France on December 6, 2006.
US release time May 25, 2007.
Paprika (パプリカ) is the original work of Tsutsui Yasuhiro, who is also the author of "Time をかける Girl" (Girls Traveling Through Time and Space), which is enough to guard against the sky.
The supervisor turned out to be Jin Min (God! T口T). Even if you don’t remember this name, you should know the scene of "Millennium Actress" being shocked by countless ACG people when it appeared. You should also know "The Delusion Agent" and " Who is behind these "Tokyo Godfathers"? . . 口rz.
Music is Pyeongtaek Jin again! Hirasawa Jin is to Jinmin as Hisaishi is to Hayao Miyazaki! Representative works include "Legend of Sword Wind", "Millennium Actress", "Agent of Delusion" and so on.
English Wikipedia:
Directed by Satoshi Kon
Produced by Masao Takiyama
Jungo Maruta
Written by Seishi Minakami
Satoshi Kon
Starring Megumi Hayashibara
Akio Ohtsuka
Koichi Yamadera
Tohru Furuya
Toru Emori
Music by Susumu Hirasawa (Into Hirasawa! XD)
Editing by Takeshi Seyama
Distributed by Sony Pictures Entertainment
Voice Actors (seiyuu)
Megumi Hayashibara as Atsuko "Paprika" Chiba (Emi Hayashibara! XD)
Akio Ohtsuka as Toshimi Konakawa Akio Ohtsuka as Toshimi Konakawa Otsuka Akio
Daisuke Sakaguchi as Hajime Himuro Sakaguchi Daisuke
Katsunosuke Hori as Dr. Torataro Shima katsunosuke hori
Kouichi Yamadera as Dr. Morio Osanai (Yamadera a! XD)
kouzou Mito AS Pierrot Kōzō Mito / three Kozo
Mitsuo Iwata as Yasushi Tsumura Iwata Mitsuo
Rikako Aikawa as Nobue Kakimoto
Satoshi Kon as Mr. Jinnai (今敏神乱入! XD)
Tohru Furuya as Dr. Kosaku Tokita Toru Furuya/
Toru Furuya Toru Emori as Dr. Seijiro Inui
Yasutaka Tsutsui as Mr. Kuga (Tsutsui Yasutsui as Mr. Kuga! XD)
The biggest surprise in this year’s mystery film is [Paprika] (Paprika)
Japanese animation godfather Konto participate in this Venice competition. Following the "Millennium Actress" and "The Godfather of Tokyo",
Toshi Konichi's anti-realistic painting style brought this "impossible reflection" novel on the screen.
The psychotherapist Atsuko Chiba and the genius scientist Hiroshi Totada worked together to develop an invention that could walk into the dream of a patient for treatment.
Unexpectedly, the invention was stolen before it was approved by the government.
For fear of abuse, Chiba volunteered to investigate the incident, but it turns out that she has another side unknown:
she is a "dream detective" who can break into the dreams of others and steal their dreams.
Chiba's attack this time is to find the mastermind of the "pirates of dream terrorists" on the boundary line where dreams and reality intersect.
Profound concepts such as surrealism, psychoanalysis, unconscious space, dream deconstruction, etc. are so impressed by Jin Min, the
process of watching the movie is like riding on a roller coaster.
[STAFF] [CAST]
original: Yasutaka Tsutsui pa pu Rika thousands Ye Dunzi: Hayashibara Megumi (Megumi Hayashibara Sister of it)
Supervision: Satoshi Kon dry fine Jiro: Toru Emori
Planning: Masao Maruyama Yin Taro: dig Katsunosuke
script: Water resources clear, Satoshi Kon Hiroshi Ishida: Toru Furuya Character
Design, Painting Supervisor: Masaji Ando Rimi: Akio Otsuka
Color Design: Hashimoto Ken Oyama Morio: Yamadera Koichi
Art Supervisor: Ike Nobuhiro
Photography supervision: Kato Michiya
Editor: Seto mountain Takeshi
Music: Susumu Hirasawa
sound supervision: Masafumi Mima
Animation: ma t do Haas by Dow su
song very nice theme song:
white tiger wildのMother
Lyricist / Composer: Flat Kanazawa into the
far-ku's sky back ru spendのyen arrayのnoise shi sa ni
thouのday ya hiraganaのday ni super e te ki ta bifurcation ga mesh wo Jiao masu
ka ge ro u ni body wo by ri te channel wo means desu Mother wo chaseい
high-ni now re ta name mo known ra nu Hiroshima wild wa Huai ka shi ku
hiragana DomNode- ga Sleeperでsee se ta StreetとMoviesのsound ga sa sa ya i ta
to ru day mo to ru day mo thousandsのwhen bifurcation wo superえta
dark ga riのsage ga rounded te ra re ta day 々 wo set Circular
sea alongいni sea see mo known ra nu inflammation wo hop ra se alongいni ta
the hiragana have ma nn Suites Hikaru ga rap ni fire wo blowing ki ge te
homes te ra re ta wild ni stand zu person wo wishes u yo
thouーstatic kana static kana MotherのViewで
thouーsee known ra nu are ni lamp ga lamp ri da su
high ku empty Zhu ni transfected Circular fireのburningえruごとkiのcloud mold Yang
ni None ku shi ta when thouのday ya thouのday ya thouのRoad wo see se
borrowing ri back shi ri at the time Sleeper ni blowing carbonate wind wo chaseいga
River alongいni River alongいni see mo known ra nu blissのflower wo see ta
ge the hiragana have ma nn Suites Hikaru ga rap ni fire wo blowing ki te
rounded te ra re ta wild ni stand zu person wo wishes u yo
thouーstatic kaな静かな娘のField of Viewで
あー见知らぬ都に灯が灯りだす
あーマントルが饶舌に火を吹き上げて
舍てられた野に立つ人を祝うよ
あー静かな静か
見知らぁりあ電がらぁりあ電がらぁりあ電がらぁりあ電がらすりあ灯
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