The female editor of John Bidong, the female editor broke free from Bidong, and walked into the elevator after the conversation: suggesting that he has entered a tricky problem, a trap. The bookstore was in a mess, only Satterkinn's books were intact. The boy notes through the exhibited book of Sutter Kane: From the book. Go home to read a book, and indirectly express your views on the book on the phone: it is silly to actively let a person talk to himself, or it is troublesome to ask someone to visit, a smart choice. Give a close-up, light a cigarette: think, be attracted. Dreamland, continuing the experience when returning home, the security gradually became infected: deeper and deeper. The third dream, the shadow of everyone's bloodthirsty. Fourth: Dream in Dream: The audience takes off their guard and the security guard sits next to John. Music frightens. Throw away the book, wipe your hands: subconscious action. Close-up of writing notes, ink stained under his cheeks. Cut the book, eyes close-up: frantic movements, eyes. The so-called reality is that we recognize each other. Normal and madness can easily change positions. If madness becomes the mainstream, you will find that the person in the mental hospital is you: implying destiny. Stairs turned her face away, her face hidden in the dark background, a large area of shadow. Strange soundtrack. The eyes of people who have been in contact with Satter Kane are big and sluggish, especially Stals. Location car driving by, shooting from the weeds, blocking the upper right corner of the screen, forming a partially closed composition: creating the illusion of secret peeping. The boy was riding a bicycle, nervous and panicking, playing cards tied to the wheels, making a clatter, the car drove by, and he slowly faded the bright spots and was swallowed by darkness. Repeatedly emphasize the click. Darkness, lightning, overexposure, lens for wheels and roads, fan-like rotating strong light, and the environment separated by wooden planks pave the way for the next scene, suggesting time, the light slowly turns into natural light, and the lens is given to the ceiling of the barn above, gradually changing Bright, daytime. Fixed viewing angle zoom teaching. Town: The railway is filled with wooden planks: a road without communication with the outside world. The location needs to have a subject. John walked to Stace's side: The light didn't change, so Stace's face was dark in the last few seconds. (Hint to hell? Hell) Big zoom-blood drop axe. The child in the church and Sutter Kane. Three black dogs in front of the church: three hellhounds. The lens is not very detailed, and it is impossible to tell whether it is the goalkeeper or the goalkeeper. The background gives an obvious sign hint about the location. The child's face was gradually eroded. Stairs ran away by stealing the car, John stared: shooting outside the hotel, closed composition, and returned to the hotel cage, which is dangerous. Church typing room: red background: blood, danger. Satter Kane is hypnotized. When the plot advances through movement, the trend of movement is given and accepted by the audience before it can be connected to the next shot (realism). Close-up, repetition, narrow room circulation, bird's-eye view: cramped, suffocated, destiny, peeping. Smoke, repeat, emphasize. No one has ever known how to communicate and analyze fear. Faith seeks obedience through fear, but never understands the true meaning of everything. No one has ever made it come true because of over-belief, and I did it: subspace evil god, spiritual power. The two face off: the close-up side is emotional and amplifies the emotions. Preaching by Sutkin: Close-ups from face to eyes, pupils gradually darkening: the erosion of faith. I wrote you. Satterkin tore himself open, and at the same time tore open the door, as if he and the door were one body, like tearing a page of paper, the fragments were densely written with words. It turns out that this is the world in the book. The reflection of the mirror reflection channel on the ground: as if to swallow John the god writer to make his world blue, it is a dream: psychological suggestion fictional Stals: the book affected John, psychological suggestion/the god writer erased her in the book . (But John met her after he was attacked and before reading.) One) The shadow of the real John reflected in the window of the bookstore is in the same mirror with the portrait of John in the poster of the book, plus himself. Mental hospital riot: close-up of the face, shadow on the wall outside the door, alternate, repeat.
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