As far as the narrative structure is concerned, the film is almost perfect. The multi-line narrative that echoes from the beginning to the end, several plot lines are independent of each other and influence each other. Through one coincidence after another, the "bad guys" at the beginning and the end become "good guys", while the only "good guy" has become a "good guy". Murderer. In less than two hours of film length, to take into account the character arc changes of so many characters, while also taking into account the rationality of the plot, the depth of the director Paul Haggis's skill is really breathtaking. But the subtle plot arrangement also brings a problem-there are too many coincidences.
This is the sense of touch
shuttling between cities, you know?
You pass by people, meet each other.
No one touches you in Los Angeles.
We always hide behind cold buildings.
I think we miss the touch.
We collide with each other just to feel each other's existence.
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