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Dexter 2022-04-20 08:01:06

David Cronenberg's film Videodrome (1983) refreshes my memory of watching his another work The Fly (1986). The similar color tone and picture sense in these 80s science fiction movies brought me a similar fear of human alienation. This kind of alienation both results from some invention created by human self. While the structure of The Fly is based on a confrontation to instrumental rationality represented by science, Videodrome is aimed at mass medium which replaces the real with the semiotics. In Baudrilled's theory of simulacra, media technology is not copying the real, but producing the real. Under the domination of the media world, the receivers become passive ones. So we can see two levels of controling by medium in this film: the first level is the Max's pornographic channel and his group;the second level is the “new flesh” team centered on O'Blivion. For the Max's channel, it is to induce majority to purchase and consume something the profit of which benefit the minority. The public, as the recipient, is controlled by the subconscious of the brain without recognize it. These control elements are basic-level emotional thoughts, sex, abuse, etc. For O'Blivion's group, this controlling is based on a radical view of Mcluhan's point that media is the extension of man. O 'Blivion believe that human brain tumors caused by the interference of the videodrome signals are essentially a new organ that grows in the structure of mind. They believe that North America is gradually showing signs of weakness at a time when the rest of the world is growing stronger,and the soft pornographic video produced by Max is the result of this weak mental poison, a chronic corrosion of the public. Therefore, they intend to use the huge illusion machine of the film studio to achieve control and manipulation of the public. Therefore, " new flesh" group firmly believes that image world is more real than the inherent physical life. They do not fear the death of the flesh. Instead, they promote suicidal behavior in order to promote the growth of the "new flesh" in forms of image . Cronenberg set the end of Videodrome as Max's self-dedication to the “new flesh”. He perhaps fled the power of videodrome, but transferred to the conscious illusion which is controlled by fake spectacles.they intend to use the huge illusion machine of the film studio to achieve control and manipulation of the public. Therefore, "new flesh" group firmly believes that image world is more real than the inherent physical life. They do not fear the death of the flesh. Instead, they promote suicidal behavior in order to promote the growth of the "new flesh" in forms of image. Cronenberg set the end of Videodrome as Max's self-dedication to the “new flesh”. He perhaps fled the power of videodrome , but transferred to the conscious illusion which is controlled by fake spectacles.they intend to use the huge illusion machine of the film studio to achieve control and manipulation of the public. Therefore, "new flesh" group firmly believes that image world is more real than the inherent physical life. They do not fear the death of the flesh. Instead, they promote suicidal behavior in order to promote the growth of the "new flesh" in forms of image. Cronenberg set the end of Videodrome as Max's self-dedication to the “new flesh”. He perhaps fled the power of videodrome , but transferred to the conscious illusion which is controlled by fake spectacles.they promote suicidal behavior in order to promote the growth of the "new flesh" in forms of image. Cronenberg set the end of Videodrome as Max's self-dedication to the "new flesh". He perhaps fled the power of videodrome, but transferred to the conscious illusion which is controlled by fake spectacles.they promote suicidal behavior in order to promote the growth of the "new flesh" in forms of image. Cronenberg set the end of Videodrome as Max's self-dedication to the "new flesh". He perhaps fled the power of videodrome, but transferred to the conscious illusion which is controlled by fake spectacles.

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Extended Reading
  • Curtis 2022-04-23 07:02:34

    After reading it, I found a photo of Debbie harry and told my best friend that the heroine looks like her. . (But in my impression, I really thought that Debbie's breasts were bigger than the heroine!

  • Reanna 2022-04-22 07:01:32

    9.0/10. ① After watching some videotapes from Videodrome, the male protagonist of the videotape vendor of Huang Baoxue had various hallucinations until the hallucinations were indistinguishable from reality. ②Discuss the influence and alienation of TV and video tapes on people. ③ Weird and weird atmosphere, rendering techniques such as: low-saturation tones; the quality of some pirated video tapes; ear-piercing/hot chest SM; surreal hallucinations of the male protagonist, such as: the characters on the TV screen talk to him , throbbing TV and videotape, kissing lips on TV screen, ripped stomach and gun/videotape stuffed in, whipping TV [his girlfriend on screen], all blood vessels that gun pierced into one , A gun that looks like it wants to get out of the body from the TV screen, a hand that is slashed into a mallet, a pile of pink things exploded from the human body after being shot, and a human organ that exploded out of the screen after the person on the TV committed suicide (then the protagonist Look directly at the camera and learn to commit suicide by learning the way in the TV, metaphor of human organs bursting out of the fourth wall and scattering everywhere). ④The second half is too self-indulgent, and the development is somewhat inexplicable.

Videodrome quotes

  • Barry Convex: Open up for me, Max. I've got something I want to play for you.

  • Rena King: Nicki, do you think Max is a menace to society?

    Nicki Brand: He's certainly a menace to me.