I can’t write a short review of whether the 4D screening I watched at Hong Kong Disneyland in elementary school is Fantasia or Fantasia 2000. At that time, I definitely did not understand the imagery and the beauty and fun of it, so the only people who have the impression are Mickey and Mickey. Or maybe the broom only included the apprentice section of the magician? Fantasia may be Disney’s closest work to pure art and even quite experimental. This is a game of synesthesia and virtual reality. It is more like magic than any other Disney animation in the future. It’s looking for the melody and rhythm of life itself. People’s imagination and creativity are indeed endless. The most interesting thing is that these images are unique to the animation creator’s mind. The viewing process is equivalent to experiencing a time when the creator listens to these music. The following chapters use stories to explain the music. The festival of spring brings a little horror atmosphere of nature. After the intermission, a short period of impromptu jazz during the tuning of the orchestra is also great. The middle school music of Tianma in the pastoral symphony I missed the lesson. Hercules should continue some of the settings in it, but I can accept Dionysus set by this fat giant baby. I used to think that Aladdin is my favorite Disney full-length animation. Now I am thorough. I changed my mind and don’t expect the concert to re-run
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