Timothy Dutton's first "007" series, the opening is pretty good-although he only made two of them. The subject of this persecution has been replaced with 004.
The series is customary. Before the opening song, there is a show of action scenes, a dragon girl, and the new Bond completes his appearance. The beginning part of the feature film is very interesting, continuing the tone of the previous few.
Timothy Dutton somewhat imitated Roger Moore's acting style, but compared to Moore, he was a bit tougher than the original Bond Connery. Going out is to practice, and then take on the task of escort, carrying a sniper rifle and shooting, it is more like "doing practical things" than the Moorish version of Bond, which usually only has a PPK (which is also lost in "Eight Paw Girl").
The interaction with MI6 people is as interesting as ever. The first generation Miss Qian Banni left the show and missed her.
The "Bond Girl" in this film is a rare literary style and is a cellist. In terms of temperament-later Winona Reid and current Elle Fanning are very close to her, and they still have the bob head that will be brought on fire by Natalie Portman in the near future-more delicate and slender Show is a rare among the "bon girls" of the past dynasties that pays more attention to creating a sense of girlfriend than a sense of goddess. Compared with the intimate drama, this movie adds some scenes where Bond plays with her. The emotional drama is more natural than most of the previous episodes-except for "The Queen's Secret Service". Cello skiing is the famous scene of this movie.
However, she is not ashamed of Mao Mei's setting, she dared to single-handedly enter the Afghan barracks after taking a gun. There is still a sense of existence.
Generally speaking, I like an ordinary one, and I prefer the other one by Dutton.
View more about The Living Daylights reviews
