Vice

Lysanne 2021-12-18 08:01:11

Artists have always accused politicians and capitalists in a roundabout way, especially Paul Thomas Anderson, because his purpose is not only to expose these people, but also to critique their IQs.

The film can be understood as a "Drug Network" story in the style of "Burn after Reading", with a hero from "Wolverine". Doc's style is by no means unintentional, but it means that he is a superhero of this era. In "Evil", the ruler controls the big capitalists, and the big capitalists control doctors, lawyers, and police. The three layers are connected to control the entire society, politics and economy. The remaining bottom is "hippies" such as Doc and Shasta.

The ironic multi-layered metaphor, "Because of the internal gang rules, these secrets are not known, and it is this group of people who are authorized to control our world". There is also a longing for the future of the United States-"The sea of ​​time, the sea of ​​memory, the sea of ​​forgotten, the years that were promised, the past will never come back, the people in that place will almost be gifted with a better destiny, but again Destroyed by the perpetrators we are very familiar with, and captured by them as hostages, we can only live in the present and cannot reach the future. I hope we can believe that there is a better, redeemed coast there, and thank you for your kindness. The Lord has an unknown American destiny." There are also ambiguous lines full of Wong Kar-wai's style love, that rainy day without drugs is endless aftertaste. Movie editing, lines and characters can be fast and numerous to the point of heinous, Christopher Nolan's film encounters are also a little utterly insignificant. Only those who have the patience to watch the second time may really get the idea of ​​the movie.

Important figures and nouns:

Doc Sputello (Larry): the protagonist

Shasta: Doc's beloved ex-girlfriend later cheated on Mickey and became an upper class plaything, but because of "inherent flaws", she was abandoned by the upper class.

Big Ford: Gay men, never forget the death of their original partner and lover. (Wife should know his sexual orientation)

Dennis: Doc's friend.

Sotireg: Friends from Dock, the person who provides important clues and stands from God's perspective in the film.

Penny Kimball: Dock is now his girlfriend, prosecutor (it is very likely that Dock got his detective license through Penny’s position)

Glenn Sherlock: owes Tariq Kari money, one of Mickey’s bodyguards

Cransey Sherlock: Sister of Glen Sherlock

Thorn Joe: Maritime Lawyer

Post-Phalingen: Coy's wife

Koi Harlingen (Rick Doppel): Saxophone of Shasta Friends Band

Sloan Ulfman: Mitch Ulfman's wife

Berkstoch: The actor who bought the Golden Tusk was originally politically oriented, but was eventually bought by the government

Riggs Wobling: Mistress of Sloan

Parker Bifferton: with the Nazi logo, one of Mickey's bodyguards

Rudy Bradnold: dentist, died on the trampoline (discovered by Crockfinway having a sexual relationship with Jepunga)

Jepang Jiafenwei: a girl who takes drugs, runs away from home, has a sexual relationship with a dentist, and is a victim of the drug network

Crockfinway: Jepanga’s father and chief lawyer

El Delano: Selling cheap drugs, an old Prussian customer

Adrian Prussia: Parker's former boss, likes to collect bats, the killer of the Los Angeles police

Vincent Indri Carter: Big Ford's partner

Peyote cactus: A cactus that grows in the deserts of northern Mexico. It contains Muscarin alkaloids. If people eat its young stems or spores, they will have various hallucinations.

Chris Srowton: The lunatic asylum invested by Mickey, the ancient Greek meaning-animal teeth (golden fangs), the lunatic asylum often plays Berkstock's movies.

The irony is that both Chris Srowton and the Nazi symbols were deceived by the upper class, which means "peace and peace" in the ancient Indian language.

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Extended Reading

Inherent Vice quotes

  • Denis: Like Godzilla says to Mothra man, let's go eat some place.

  • Sloane Wolfmann: Do you like the lighting?

    Doc Sportello: Uh-huh.