After watching three episodes, I was very fascinated. There is no business success, the family is happy, and the two characters are very real. One is Alex, who sacrificed his family to get his career success, and the other is Bradley, who has not been promoted for many years. It seems that at the beginning of the chapter, a keynote has been set, and women can't have all of happiness.
There are many themes involved in the play, all of which are sensitive and negative. Needless to say, women in the workplace are facing a lot of oppression and injustice. So far I think the highlight is the relationship between women and women. In fact, both of them are clearly victims of the patriarchal society, but Alex has paid the price to climb to the upper level, and Bradley values the family and can only stay where they are. Bradley is outspoken, has his own views on social phenomena, and is full of sharp points. The actions she made were intuitive and not meant to attract attention (at least it seemed to me). But the experienced Alex thinks this is just a means. The relationship between people seems to be filled with suspicion by conspiracy theories. In the eyes of complicated people, the frankness of a frank person is regarded as a routine. In the eyes of profit-oriented people, not asking for rewards will also be considered a routine. Therefore, your image in the eyes of others depends mostly on others, not yourself. What others see is always a part of others' self. Because the observer thinks this way, the object in the observer's eyes is constituted by the observer's thinking.
When Bradley expressed that it was embarrassing to sit in the important guest seat, Alex asked: Then why don't you leave?
When Bradley said that he didn't want to be a Co-anchor, Alex looked at her with a smirk: Don't you really want to?
One situation is that, in all cases, Bradley has no ambitions, only being used and passively accepted by others. If this is the case, she is just a sad puppet.
One situation is that Bradley is ambitious, but doesn't want to be exposed. If so, then she is a femme fatale that is deeper than Tiechu's routine.
There is another situation that Bradley thinks she doesn't want to, but in fact, she is hidden deep in her heart, but she doesn't know it. In this way, I feel more like an ordinary person with flesh and blood, who can accept life but is not reconciled. Such people know that there are too many conditions, because they feel that distant ambitions are impossible, so they kill them directly in the bottom of their hearts. But desire can never be killed, even if it is burned to ashes, it will fly for a while in the breeze.
When I was first entrusted with my ambitions, I made a vow and devoted myself to it. What other people say, or what the society advocates, what I might be like, I think is what I want. The definition of the image of successful women in society is nothing more than a model, which cannot escape the desirable Dzogchen. However, snakes crawl on the ground, monkeys swing on the trees, and people will die if they climb the soil every day. It's just for the illusory image of success to do something that I don't like, are not good at, and what is even more terrifying is that I don't think it makes any sense, that is, to force myself to eat dirt and climb trees. So later, others encouraged me, I just said, I have no ambition, no ideals, no plans, but I also met fierce opposition from people with ambitions, ideals, and plans: No, you have!
I said I really didn't. real. No. Have.
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