In the 1980s, John Glenn's 007 film was actually turned to the tit-for-tat between M16 and KGB (except for the last boring personal vendetta). If the bond film of the 1960s, the Devil Party has always been the biggest enemy of M16. And if the boss behind the KGB can't fight head-on with it, then the babara company, which has gotten rid of the shadow of the Cold War, can concentrate on describing the real confrontation between the East and the West. (This film begins to count) Director
John Glenn’s films are really not many, but from those English titles we can tell that he should be a famous action film director and many of them are related or the five bond films he directed are obviously marked. Personal traces (such as the scene of 007 sharing the fruits of victory with the girl in this episode at the end of the film) and the thrilling scenes that do not rely on the special level in this
are also the thrilling action movies of the 80s Holaiwu The beginning of
personally thinks it is Roger Moore’s best movie, and it is not easy for him to stage the rock climbing scenes and difficult skiing actions for more than 50 years. (Golden Gate Bridge) The more serious revenge story narrated in the film also completely parted ways with the infinite exaggerated content of the previous films. French actress Carol Bouguet is also considered to be the loudest bond girl so far, but the performance in this film Somewhat plain Nemesis, of course, has a strong personality but not a deep influence. The KGB glasses killer is not quite right. The
movie depicts him behind the scenes but is not very cunning. The real manipulator is revealed in the seemingly plain interpretation because it is in Greece. The monastery at the end of the film is somewhat back to the ancient complex. It is in sharp contrast with the introduction of the mini helicopter through the industrialized London. The
film even borrows from the guerrilla film of the former South. The following 007 opening song made the song "Ah, goodbye friend" ringing in my ears
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