of "Sleepwalking Rhapsody"
that I didn't dare to write , I clearly remember that the boss of the hero in this film introduced their two unreliable employees with a sentence like "Don't worry about it." They, they were playing the lines of "Jia Jia", but in fact I just found out that there was none at all. What should I do? I originally planned to start with that line.
I wrote this in no way to artificially cater to the theme of the film that once boring me—someone can prove it—it happened. It's true, I swear. And if one day I find that that line really exists or appears in another film, I will be very relieved.
Well, maybe we don't need a decent opening, because this movie will appear every few minutes in less than two hours and will make me realize the excitement of "I don't dare to write a film review". This feeling continued until I returned to the computer, a big explosion and then collapsed. And what I'm doing now seems to be quite a bit of Supreme Treasure's posture of looking at a demon mirror. But I know that out of the sense of self-protection that has reached a certain level, this article will still be a running account of the main theme without any nutrition at the end, the things I have been touched, and the things I can’t pick up. , Will be selectively erased from the cerebral cortex in the process of organizing text. It may be a goblin or a Tanari timid who is photographed in the demon mirror, but it will never be naked.
But even then I decided to write it down, basically just because I was at least scared.
So I would like to say that although it seems that the film is about dreaming, the deconstruction of dreams in the film is still based on the classical theory of thinking day by day and dreaming at night. Of course, on the basis of this arrangement, once the dream scene becomes more realistic or the color of reality is more dreamy, then a slight fusion will become unpredictable. Therefore, these idealized dreams of Huangliang, since the protagonist is a waste that often can't distinguish between dreams and reality, it doesn't hurt to understand them as YY. To be honest, I would rather understand more than half of the dreams in the film this way, because based on my dreaming experience, dreams shouldn't be like that.
But it is precisely because of this replacement of understanding that some irreconcilable contradictions have been brought about. But I don't want to use the first person. In most cases, it is my style to watch. It is difficult to reconcile this.
The Buddhist scriptures say that there are three unattainable minds: the past mind, the present mind, and the future mind. These three hearts are all vain, and you can't get the reason and want it. In other words, don’t yell at the past, present, and future, but reach the state of no phase with the mentality that everything is empty. This is not a positive mental state, but it also has its positive meaning. If YY becomes a kind of escape...
Stephane is such a whimsical but unwilling designer, with his creative response that has no commercial value. When I arrived at my hometown, I was forced to accept a terrible job. I twisted my arms but met the girl Stephanie who rented an apartment in his house. The common pursuit and love for free art made Stephane fall in love with Stephanie, and Stephane was shy and shy. Stephanie’s sensitivity makes it difficult for the relationship between the two to progress. So Stephane constantly seeks answers in her dreams but can’t get rid of it. So after a series of dreams, after a series of things happen, a series of dreams are reflected in reality, the story It ended in a reunion—in a dream... To be
honest, I didn’t like the design of that laboratory. It seemed to just cater to the word science, but to separate the plot. Everyone is the director and screenwriter of their own dreams (although this is somewhat contrary to my own theory of dreams). To express this straightforwardly, although to a certain extent defines the psychedelic style of the film, it is not superfluous. Not the finishing touch.
You see, I know I'm going to linger on the subject. Stephane dare not face all kinds of things, I can boldly say empathy, but in fact this applies to every slime person. So I want to talk about YY, about imagination, and some homely things.
My imagination is becoming exhausted. On the other hand, my ability to make cold jokes has improved greatly, because the former needs to be wild, while the latter just needs to be brainstorming. I remembered that I could substitute into the world of various role-playing almost without any obstacles, to experience more complicated feelings and sense of freedom than in the plot, I remembered those game novels I had written, I remembered that I was passionately dramatic Those my own stories in online games and the stories of NPCs in stand-alone games, and I have never been tired of them, have now become dull and dull. Until one day I will find that the boss’s disdainful expression and the muttering of colleagues behind me will wipe out my last little creative desire and sense of humor. If I can still make them hug each other and worship me with grievances and pious expressions. Dream, it is not imagination that supports me, but the desire for revenge.
I remember that during the freshman year, I often talked about dreams with my classmates and claimed to often confuse dreams with reality. In fact, there have been a few times, including some conditioned reflexes after learning some things about my life experience, but it was not very serious. But I want to say that hypnotizing my consciousness with a lot of exaggerated conclusions is really the state I expected to achieve at that time. In fact, I always expect all kinds of wonderful or bad experiences, "I am a sensory person. (Proper noun, those who know know themselves)", I often define myself this way, although a little arrogant.
But I did not succeed. You must know that the more you deliberately play with your memory, the more disobedient it will be. A simple example, the things you want to forget will be truly remembered because of this strong desire. The things you want to remember are often obscured by deliberately emphasizing the function of the memory itself rather than the content of the object. I don't know if there are any reasonably normal people in this world who will reach Stephane's mental state, just like I don't know whether the principle of his one-second travel machine is sci-fi or psychological.
Stephane left a note to Stephanie in the bathtub saying she wanted her friend Zoe to call, and then regretted it after waking up. Of course, this stage is just a foreshadowing, but in any case, Stephane made a sober choice between the two good feelings. As an introvert who prefers to put a sense of security in YY anytime, anywhere, anyone who cares will easily become the object of his good feelings, a sustenance under pressure. But only after being sober can we eliminate those momentary feelings and extra factors, and get the answer that will no longer have doubts.
Usually such a person will always have a Dadaist like Stephane’s boss, or a hippie or a punk, and in most cases he is a confidant, like "A Beautiful Mind" and "A Life with a Glass of Wine", Aha, "Fight Club" also counts. When our state of mind has changed with the protagonist’s blood type and constellation, the behavior of these people is more likely to induce the audience to judge the values and morals, both to him, to the protagonist, and to themselves. But in reality, it is difficult for you to meet such a person. Those superficial happiness and open-mindedness conceal other strong distress. Those who play rock and roll and play punk have also put on all kinds of uniforms after graduation. , Let alone those self-righteous anarchists. So when a person who needs to extricate himself can't find such a sharp opposite, it is equivalent to lack of motivation.
The life of Bohemians is always so fascinating. These free artists interpret their ideals and decorate their lives with music, painting and various performance art. Perhaps for most people, this kind of life itself can only be imagined and then disillusioned. But this kind of bohemian life will always have an unbearable side to reality. "A person cannot begin such a life unless he succumbs to the ruthless laws of nature beforehand." Henry Muirge wrote in the preface of The Bohemian. This includes not only economic factors, but also social and existential incompatibility. "In the process of this kind of human recovery, the Bohemians still, in accordance with Balzac's tone, seek this life of their own... They are waiting to be able to truly control themselves based on their own rules. ." What I want to emphasize here is that the subject of the second half of the sentence is "these lunatics."
The two phones close to each other connect two hearts that understand each other under the aura of art, and also connect Stephane's reality and dreams. This is the last dream before the end.
Following this, the director cleverly used dreams to allude to the source of anxiety in reality. That was Stephane's original dream, but it caused the current suffering. Everything that had been dreamed of could not hide the regret in front of Stephane. And the end of the fusion of reality and YY is just a scene in a paper car. Surrender is not equal to compromise, and even self-esteem is lost. After that, Stephane was overjoyed for the last time he escaped. Even if the blood and tears were running, it would only make people embarrassed and impatient, and he still kept YY. In fact, behind the entanglement of reality, dreams, and memory, the eternal theme is escape... It
must be parting before the restless heart can become restless again. On the cloth sailboat, several trees representing the forest, the ocean of cellophane, the floating clouds of cotton wool, the doll of the Golden Pony King, and all the props that connected the dreams of the two before, appeared in the last of the fairy tales of Stephane and Stephanie. ending. And the fairy tale ending only exists in YY, isn't it?
Oops, sorrow, it really seems to be a harmonious and unrestrained scene under the strong pressure of protective psychology, so let's finish it here. So thinking back to the sentence I wanted to use as the beginning of the article, "They were playing Jiajia", what I want to write next seems to be this:
Play Jiajia, the most imaginative YY game in my childhood, there will be Who hasn't played it before?
Seriously, I never played...
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