After Sandra brought me bursts of laughter, I tried to look at the whole incident from her point of view. With the purpose of getting exclusive news, she frequently came into contact with a serial murderer and was not sure about her safety. She would not be threatened because of the exposure of her identity. She lived under pressure and fear every day, but she had to pretend to laugh and win his favor. Later, she overturned her guess, confessed her identity, and devoted herself to their relationship with her heart, but in the end It was discovered that he was a murderer, not a utter bad guy, but a handsome and promising murderer who had shown affection to her. How courage she would use when he was on the boat to push her into the river Break with him in the past and deal with their relationship in a hostile manner. In the end, the truth is revealed, but Sid is dead. How would Sandra think of his death if she knew it? Would she blame herself, would she not? There is always a trace of sadness and nostalgia at the meeting. The
director's cleverness is that he didn't show all these things I could think of. He happily told the story of the moon black wind high murder night, creating a style of his. For the rest, he stayed. For ourselves. This movie is not a line with beginning and end, structured and framed. It is a point with a unique style, giving us mediocre people some valuable opportunities to participate in the creation of movies, and its future and present life.
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