As a result, the attacks flocked to Ronnie and his mother, especially the retired policeman Larry. Larry once killed a boy by mistake, so he was sometimes very nervous. He spotted the fear of Ronnie hidden in people's hearts, and he indirectly caused the death of Ronnie's mother, and he fell into deep self-blame again. Ronnie, who has lost his relatives, attributed the culprit to his neurosexual pedophilia. He really castrated himself like someone else's curse. Larry finally realized his stubbornness and Ronnie's sorrow. The film made the former enthusiastically send the latter to the hospital. This kind of completion seemed a bit cheap.
The rigid moral principle that is too much to pass will eventually give way to the warmth between people; in another clue, feelings have to give way to the law, or have to give way.
The housewife Sarah and the housewife Brad’s firewood, everyone with a little movie experience knows how this story should develop next: acquaintance-ambiguous-going to bed-constantly going to bed-planning to elope, so far. The bridge segment has been filmed in Hollywood movies of extramarital affairs, but the director's conservatism and the echo of another clue make this typical extramarital affairs movie have more room for maneuver. Although the protagonist had a whim on the night that he eloped and played skateboarding with street gangsters, the plot was too rough, too simple, and the traces of seeking complete closure were too heavy, but at least we can see the ingenuity of the director's structure: (this word It is not particularly commendatory at first, and it is appropriate to describe it-not very good, but at least some ideas.) The interaction of the two clues in order to make the story gain a broader social background and narrative space, especially to capture the two that are almost nothing The common point of the related stories-the emotional and responsibilities of middle-class American families-and the narrative does not have the feeling of rambling, but it increases the depth and thinking space of the main story (that is, the extramarital love story). It is the most successful place for directors and screenwriters. But I don’t know why Rose was nominated again. In my opinion, the best actor in the film is the body of the actor...
At the end, the two protagonists are injured when they are about to elope, which obviously implies that over impulsive emotions will lead to family breakdown and themselves. The damage of the director's conservatism is undoubtedly revealed. This modest position is a typical mood of the American middle class. It is a pity that the director failed to step out of Lushan to take care of more harshly.
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